Once upon a Time More than Peter Kivy’s last
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Published
06/05/2023
Kepa Korta
https://orcid.org/0000-0003-3002-5607
Abstract
The late Peter Kivy, author of multiple works in the philosophy of music and literature, and philosophy of art in general, got to know the Donostia and the University of the Basque Country. It was not directly through the Philosophy department, but through the Institute for Logic, Cognition, Language and Information (ILCLI). Kivy left an impact on the Basque research on aesthetics and the philosophy of art. A modest impact but an impact that is called to last. This is a chronicle of Kivy’s story with Donostia.
How to Cite
Korta, K. (2023). Once upon a Time: More than Peter Kivy’s last. Gogoa, 23. https://doi.org/10.1387/gogoa.23252 (Original work published December 17, 2021)
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Keywords
language, music, emotions, fiction, knowledge
References
Agirrebaltzategi, Ana (2014). The Place of Emotions in Music. Master-tesia, UPV/EHU.
Agirrebaltzategi, Ana (2017). Emotions as Aesthetic Properties of Absolute Music. Doktore-tesia, UPV/EHU.
Cocquyt, Hilde (2014). An Inquiry into Art Induced Epiphanies. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2015). An Agent-Centered Approach to Dance Improvisation. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2021). The Appreciative Experience of Dance as Art: A conceptual and empirical investigation. Doktore-tesia, UPV/EHU.
Jackendoff, Ray eta Fred Lerdahl (1983), A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
Kivy, Peter (1993). The Fine Art of Repetition. Essays in the Philosophy of Music. Cambridge: Cambridge University Press.
Kivy, Peter (2007). Music, Language, and Cognition. Oxford: Oxford University Press.
Kivy, Peter (2012). Sounding Off. Oxford: Oxford University Press.
Kivy, Peter (2015). De Gustibus. Arguing about Taste and Why We Do It. Oxford: Oxford University Press.
Kivy, Peter (2019). Once upon a Time. Essays in the Philosophy of Literature (Aaron Meskinek atondua). Londres: Rowman & Littlefield.
Korta, Kepa (2003). “Peter Kivy: Introduction to a philosophy of music”. Gogoa III-2: 291-295.
Korta, Kepa (2016). “Peter Kivy: De Gustibus. Arguing about Taste and Why We Do It.” Gogoa 15: 43-66. DOI: 10.1387/gogoa.17257
Korta, Kepa (2017). “The meanings and contents of aesthetic statements”. In Rachel Giora and Michael Haugh (eds.), Doing Pragmatics Interculturally: Cognitive, Philosophical and Sociopragmatic Perspectives on Language. Mouton de Gruyter, pp. 399-417.
Korta, Kepa eta Jesus M. Larrazabal (arg.) (2004). Truth, Rationality, Cognition and Music. Dordrecht: Kluwer.
Lamarque, Peter (2014). The Opacity of Narrative. Londres: Rowman & Littlefield.
Recabarren, Carlos Nahuel (2015). An investigation into the meaning of non-linguistic art. Master-tesia, UPV/EHU.
Sibley, Frank (1959). “Aesthetic Concepts”. Philosophical Review 68: 421-50. Berrargitaratua in Peter Lamarque and Stein Haugom Olson (arg.), Aesthetics and the of Art. The Analytic Tradition, Oxford: Blackwell, 2004, 127-141.
Agirrebaltzategi, Ana (2017). Emotions as Aesthetic Properties of Absolute Music. Doktore-tesia, UPV/EHU.
Cocquyt, Hilde (2014). An Inquiry into Art Induced Epiphanies. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2015). An Agent-Centered Approach to Dance Improvisation. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2021). The Appreciative Experience of Dance as Art: A conceptual and empirical investigation. Doktore-tesia, UPV/EHU.
Jackendoff, Ray eta Fred Lerdahl (1983), A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
Kivy, Peter (1993). The Fine Art of Repetition. Essays in the Philosophy of Music. Cambridge: Cambridge University Press.
Kivy, Peter (2007). Music, Language, and Cognition. Oxford: Oxford University Press.
Kivy, Peter (2012). Sounding Off. Oxford: Oxford University Press.
Kivy, Peter (2015). De Gustibus. Arguing about Taste and Why We Do It. Oxford: Oxford University Press.
Kivy, Peter (2019). Once upon a Time. Essays in the Philosophy of Literature (Aaron Meskinek atondua). Londres: Rowman & Littlefield.
Korta, Kepa (2003). “Peter Kivy: Introduction to a philosophy of music”. Gogoa III-2: 291-295.
Korta, Kepa (2016). “Peter Kivy: De Gustibus. Arguing about Taste and Why We Do It.” Gogoa 15: 43-66. DOI: 10.1387/gogoa.17257
Korta, Kepa (2017). “The meanings and contents of aesthetic statements”. In Rachel Giora and Michael Haugh (eds.), Doing Pragmatics Interculturally: Cognitive, Philosophical and Sociopragmatic Perspectives on Language. Mouton de Gruyter, pp. 399-417.
Korta, Kepa eta Jesus M. Larrazabal (arg.) (2004). Truth, Rationality, Cognition and Music. Dordrecht: Kluwer.
Lamarque, Peter (2014). The Opacity of Narrative. Londres: Rowman & Littlefield.
Recabarren, Carlos Nahuel (2015). An investigation into the meaning of non-linguistic art. Master-tesia, UPV/EHU.
Sibley, Frank (1959). “Aesthetic Concepts”. Philosophical Review 68: 421-50. Berrargitaratua in Peter Lamarque and Stein Haugom Olson (arg.), Aesthetics and the of Art. The Analytic Tradition, Oxford: Blackwell, 2004, 127-141.
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Artikuluak