Behin Batean Peter Kivyren azkena baino gehiago
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Argitaratua
2023-06-05
Kepa Korta
https://orcid.org/0000-0003-3002-5607
Laburpena
Musika eta literaturaren eta, oro har, artearen filosofian eta estetikan hainbat lanen egile ezagun izan zen Peter Kivyk izan zuen harremana Donostiarekin eta Euskal Herriko Unibertsitatearekin. Ez Filosofia sailarekin zuzenean, ILCLIrekin (Logika, Kognizio, Hizkuntza eta Informaziorako Institutuarekin) baizik. Harreman horrek utzi zuen bere arrastoa artearen filosofia eta estetikako euskal ikerketan; arrasto txikia, baina arrastoa, nolanahi ere; datozen urteetan luzatuko dena, itxura guztien arabera. Honako lan hau harreman horren kronika da.
Nola aipatu
Korta, K. (2023). Behin Batean: Peter Kivyren azkena baino gehiago. Gogoa, 23. https://doi.org/10.1387/gogoa.23252 (Original work published 2021(e)ko abenduakaren 17a)
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Keywords
hizkuntza, musika, emozioak, fikzioa, egia
References
Agirrebaltzategi, Ana (2014). The Place of Emotions in Music. Master-tesia, UPV/EHU.
Agirrebaltzategi, Ana (2017). Emotions as Aesthetic Properties of Absolute Music. Doktore-tesia, UPV/EHU.
Cocquyt, Hilde (2014). An Inquiry into Art Induced Epiphanies. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2015). An Agent-Centered Approach to Dance Improvisation. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2021). The Appreciative Experience of Dance as Art: A conceptual and empirical investigation. Doktore-tesia, UPV/EHU.
Jackendoff, Ray eta Fred Lerdahl (1983), A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
Kivy, Peter (1993). The Fine Art of Repetition. Essays in the Philosophy of Music. Cambridge: Cambridge University Press.
Kivy, Peter (2007). Music, Language, and Cognition. Oxford: Oxford University Press.
Kivy, Peter (2012). Sounding Off. Oxford: Oxford University Press.
Kivy, Peter (2015). De Gustibus. Arguing about Taste and Why We Do It. Oxford: Oxford University Press.
Kivy, Peter (2019). Once upon a Time. Essays in the Philosophy of Literature (Aaron Meskinek atondua). Londres: Rowman & Littlefield.
Korta, Kepa (2003). “Peter Kivy: Introduction to a philosophy of music”. Gogoa III-2: 291-295.
Korta, Kepa (2016). “Peter Kivy: De Gustibus. Arguing about Taste and Why We Do It.” Gogoa 15: 43-66. DOI: 10.1387/gogoa.17257
Korta, Kepa (2017). “The meanings and contents of aesthetic statements”. In Rachel Giora and Michael Haugh (eds.), Doing Pragmatics Interculturally: Cognitive, Philosophical and Sociopragmatic Perspectives on Language. Mouton de Gruyter, pp. 399-417.
Korta, Kepa eta Jesus M. Larrazabal (arg.) (2004). Truth, Rationality, Cognition and Music. Dordrecht: Kluwer.
Lamarque, Peter (2014). The Opacity of Narrative. Londres: Rowman & Littlefield.
Recabarren, Carlos Nahuel (2015). An investigation into the meaning of non-linguistic art. Master-tesia, UPV/EHU.
Sibley, Frank (1959). “Aesthetic Concepts”. Philosophical Review 68: 421-50. Berrargitaratua in Peter Lamarque and Stein Haugom Olson (arg.), Aesthetics and the of Art. The Analytic Tradition, Oxford: Blackwell, 2004, 127-141.
Agirrebaltzategi, Ana (2017). Emotions as Aesthetic Properties of Absolute Music. Doktore-tesia, UPV/EHU.
Cocquyt, Hilde (2014). An Inquiry into Art Induced Epiphanies. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2015). An Agent-Centered Approach to Dance Improvisation. Master-tesia, UPV/EHU.
Fernández Cotarelo, Aida (2021). The Appreciative Experience of Dance as Art: A conceptual and empirical investigation. Doktore-tesia, UPV/EHU.
Jackendoff, Ray eta Fred Lerdahl (1983), A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
Kivy, Peter (1993). The Fine Art of Repetition. Essays in the Philosophy of Music. Cambridge: Cambridge University Press.
Kivy, Peter (2007). Music, Language, and Cognition. Oxford: Oxford University Press.
Kivy, Peter (2012). Sounding Off. Oxford: Oxford University Press.
Kivy, Peter (2015). De Gustibus. Arguing about Taste and Why We Do It. Oxford: Oxford University Press.
Kivy, Peter (2019). Once upon a Time. Essays in the Philosophy of Literature (Aaron Meskinek atondua). Londres: Rowman & Littlefield.
Korta, Kepa (2003). “Peter Kivy: Introduction to a philosophy of music”. Gogoa III-2: 291-295.
Korta, Kepa (2016). “Peter Kivy: De Gustibus. Arguing about Taste and Why We Do It.” Gogoa 15: 43-66. DOI: 10.1387/gogoa.17257
Korta, Kepa (2017). “The meanings and contents of aesthetic statements”. In Rachel Giora and Michael Haugh (eds.), Doing Pragmatics Interculturally: Cognitive, Philosophical and Sociopragmatic Perspectives on Language. Mouton de Gruyter, pp. 399-417.
Korta, Kepa eta Jesus M. Larrazabal (arg.) (2004). Truth, Rationality, Cognition and Music. Dordrecht: Kluwer.
Lamarque, Peter (2014). The Opacity of Narrative. Londres: Rowman & Littlefield.
Recabarren, Carlos Nahuel (2015). An investigation into the meaning of non-linguistic art. Master-tesia, UPV/EHU.
Sibley, Frank (1959). “Aesthetic Concepts”. Philosophical Review 68: 421-50. Berrargitaratua in Peter Lamarque and Stein Haugom Olson (arg.), Aesthetics and the of Art. The Analytic Tradition, Oxford: Blackwell, 2004, 127-141.
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