Sound system culture: Place, space and identity in the United Kingdom 1960-1989
##plugins.themes.bootstrap3.article.main##
##plugins.themes.bootstrap3.article.sidebar##
http://orcid.org/0000-0002-6044-9833
Laburpena
By exploring the experience of the industrial town of Huddersfield in West Yorkshire, where the West Indian population contributed to sound system and reggae culture out of proportion to their size, it can be shown that sound system culture developed differently in different urban contexts in Britain in the late twentieth century. The essay uses more than thirty oral history interviews of people who ran sound systems or were audiences for them. They were collected by the Sound System Culture project initiated by Let's Go Yorkshire, which focuses on aspects of local cultural heritage hidden from and unrecorded by mainstream history. Their project provides an opportunity to explore questions of identity in relation to sound systems, reggae and urban Britain with a focus on a specific place and its configurations of space. The essay examines the importance of the location of a West Indian club in the town centre, enabling the African-Caribbean population to visibly and aurally contribute to the Huddersfield's sense of its own identity.
##plugins.themes.bootstrap3.article.details##
ALI, Nafhesa, Asian Voices: First generation Migrants, University of Huddersfield, Huddersfield, 2010.
BACK, Les, «Coughing up fire: Sound systems in south-East London», new formations, n.º 5, 1988, p. 141-152.
BAKARI, Imruh, «Calypso and reggae», SAMUEL, Raphael (ed), Patriotism: National Fictions: The Making and Unmaking of British National Identity: National Fictions Volume 3, Routledge, London, 1989, p. 99-122
BASA (Black and Asian Studies Association) http://www.blackandasianstudies.org/
BASS CULTURE, http://www.basscultureresearch.com/
BRADLEY, Lloyd, Bass Culture: When Reggae Was King, Penguin, London, 2001.
BRESSEY, Caroline, «Geographies of Belonging: white women and black history», Women's History Review, vol. 2, n.º 4, p. 541-558.
BUNCE, Robin, «Darcus Howe and Britain's Black Power movement» http://www.ourmigrationstory.org.uk/oms/darcus-howe-and-britains-black-power-movement, n.d.
CASHMORE, Ellis, Rastaman: The Rastafarian Movement in England, first published 1979, Routledge, London 2013.
CHAMBERS, Eddie, «What happened to black British solidarity?» http://www.dazeddigital.com/artsandculture/article/35537/1/what-happened-to-black-british-solidarity, 2017.
COOPER, Carolyn, Sound Clash: Jamaican Dancehall Culture at Large, Palgrave Macmillan, Basingstoke, 2004.
CONNOR, Geraldine and FARRAR, Max, «Carnival in Leeds and London, UK: Making New Black British Subjectivities», RIGGIO, Milla Cozart, Culture in Action, Routledge, London, 2003, p. 255-269.
DE MELLO, Martin (ed.), Moss Side Stories, Crocus, Manchester, 2012.
GARDNER, Noel, «Why Bristol is Culture Clash's spiritual home» https://www.redbull.com/gb-en/bristol-sound-systems-a-history, 2016.
GILDART, Keith, Images of England through Popular Music: Class, Youth and Rock 'n' Roll, 1955-1976, Palgrave Macmillan, Basingstoke, 2013.
GILROY, Paul, There Ain't No Black in the Union Jack: The Cultural Politics of Race and Nation, Routledge, London, 1992.
GOPAL, Priyamvada, «Redressing anti-imperial amnesia», Race and Class, vol. 57 n.º 3, 2016, p. 18-30
GOULD, William and QURESHI, Irna, «South Asian histories in Britain: Nation, locality and marginality», MCLOUGHLIN, S., GOULD, W., KABIR, A.J., TOMALIN E., Writing the City in British Asian Diasporas, Routledge, London, 2014, p. 137-157.
HALL, Stuart; CRITCHER, Charles; JEFFERSON, Tony, Policing the Crisis: Mugging, the State and Law and Order, Palgrave, Basingstoke, 2013.
HALL, Stuart, Familiar Stranger: A Life between Two Islands. London, Allen Lane, 2017.
HEBDIGE, Richard, «Reggae, rastas and rudies», HALL, Stuart and JEFFERSON, Tony, Resistance through Rituals: Youth Subcultures in Post-war Britain, second edition, Routledge, London, 2006, p. 113-128.
HENRIQUES, Julian, «Sonic Dominance and the Reggae Sound System Session» BULL, M.; BACK, Les, The Auditory Culture Reader, Berg, Oxford, 2003, p. 451–480.
HENRIQUES, Julian, Sonic Bodies: Reggae Sound Systems, Performing Techniques and Ways of Knowing, Continuum, London, 2011.
HENRY, William [Lez], What the Deejay Said: A Critique from the Street, Nu-Beyond, London, 2006.
HIRO, Dilip, Black British, White British, second edition, Paladin, London, 1992.
HIRSCH, Shirin, In the Shadow of Powell: Race, Locality and Resistance, Manchester University Press, Manchester, 2018.
HUDDERSFIELD EXAMINER, «How the founders of Huddersfield's Caribbean community thrived», http://www.examiner.co.uk/news/west-yorkshire-news/how-founders-huddersfields-caribbean-community-4985444, 2010.
HYDER, Rehan, «Black music and cultural exchange in Bristol», STRATTON, Jon; ZUBERI, Nabeel, Black Popular Music in Britain since 1945, Ashgate, Farnham, 2014, p. 85-99.
JACKSON, Brian «Riot », in his Working-Class Community: Some General Notions raised by a Series of Studies in Northern England, Penguin, Harmondsworth, 1968.
KATZ, David, Solid Foundation: An Oral History of Reggae, Bloomsbury, London, 2003.
MEAD, Matthew, «Empire Windrush: The cultural memory of an imaginary arrival», Journal of Postcolonial Writing, vol. 45, n.º 2, 2009, p. 137-149.
MIZEN, Spencer, «The great British civil rights scandal: The Bristol bus boycott», http://www.historyextra.com/article/premium/great-british-civil-rights-scandal-bristol-bus-boycott, 2013.
MOSS SIDE STORIES, https://www.mdmarchive.co.uk/exhibition/id/76/MOSS_SIDE_STORIES.html, 2012.
PANAYI, Panikos, Racial Violence in Britain in the Nineteenth and Twentieth Centuries, Leicester University Press, Leicester, 1996.
PILKINGTON, Edward, Beyond the Mother Country: West Indians and the Notting Hill White Riots, I.B. Tauris, London, 1988.
RAMDIN, Ron, Making of the Black Working Class in Britain, Ashgate, Farnham, 1987.
REGGAE RESEARCH NETWORK, https://reggaenetwork.wordpress.com/
RILEY, Mykaell, «Bass culture: An alternative soundtrack to Britishness», STRATTON, Jon; ZUBERI, Nabeel, Black Popular Music in Britain since 1945, Ashgate, Farnham, 2014, p. 101-114.
ROMAIN, Gemma, Connecting Histories: A Comparative Exploration of African-Caribbean and Jewish History and Memory in Modern Britain, Kegan Paul, London, 2006.
RUSH, Anne, «Reshaping British history: The historiography of West Indians in Britain in the Twentieth century», History Compass, vol. 5, n.º 2, 2007, p. 463-484.
ROSE, E.J.B., Colour and Citizenship: A Report on British Race Relations, Oxford University press, Oxford, 1969.
SAMRA, Mandeep; FINGERS, Al, Sound System Culture: Celebrating Huddersfield's Sound Systems, One Love, London, 2014.
SEARLE, Kevin, «Mixing of the unmixables': The 1949 Causeway Green 'riots' in Birmingham», Race and Class, vol. 54, n.º 3, 2013, p. 44-64.
SIVANANDAN, A., «From Resistance to Rebellion Asian and Afro-Caribbean Struggles in Britain», Race and Class, vol. 23, n.º 2-3, 1981, p. 111-152.
Sound System Culture: Huddersfield trailer, https://vimeo.com/87017029.
STRATTON, Jon, When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010, Ashgate, Farnham, 2014.
TAYLOR, David, «The Middlesbrough Race Riot of 1961: A Comment», Social History, vol. 18, n.º 1, 1993, p. 73-79.
WADE, Donald, Yorkshire Survey: A Report on Community Relations in Yorkshire, Yorkshire Committee for Community Relations, Leeds, 1972.
WARD, Paul, with HELLAWELL, Graham, and LLOYD, Sally, «Witness Seminar: Anti-Fascism in 1970s Huddersfield», Contemporary British History, Vol. 20, n.º 1, 2006, p. 119–133.
WATERS, Chris, «"Dark Strangers" in our midst: Discourses of race and nation in Britain, 1947-1963», Journal of British Studies, vol. 36, n.º 2, 1997, p. 207-238.
WATLEY, George, «The cultural currency of Afro-Caribbeans in Northamptonshire c. 1960-1990», Midland History, vol. 36, n.º 2, 2011, p. 245-261.
Los autores que publican en la revista Historia Contemporánea aceptan los siguientes términos:
- Los autores conservan todos los derechos de autor de sus trabajos, pero también otorgan derechos de autor a la editorial académica (UPV / EHU Press) con fines de gestión de derechos de autor, vigilancia y protección.
- Los documentos se publican por defecto con una licencia de atribución CC Reconocimiento-NoComercial-SinObrasDerivadas 4.0. Usted es libre de: Compartir — copiar y redistribuir el material en cualquier medio o formato. La licenciante no puede revocar estas libertades en tanto usted siga los términos de la licencia. Bajo los siguientes términos:
Atribución — Usted debe dar crédito de manera adecuada, brindar un enlace a la licencia, e indicar si se han realizado cambios. Puede hacerlo en cualquier forma razonable, pero no de forma tal que sugiera que usted o su uso tienen el apoyo de la licenciante.
NoComercial — Usted no puede hacer uso del material con propósitos comerciales.
SinDerivadas — Si remezcla, transforma o crea a partir del material, no podrá distribuir el material modificado.
No hay restricciones adicionales — No puede aplicar términos legales ni medidas tecnológicas que restrinjan legalmente a otras a hacer cualquier uso permitido por la licencia.
- Si un autor requiere una licencia CC más restringida (por ejemplo, CC-BY-SA), puede proporcionarla contactando a nuestro editor en: publicaciones@ehu.eus
- En particular, y sin tener que solicitar un permiso adicional, los documentos con licencia CC BY-NC-ND pueden depositarse en repositorios institucionales y sitios web académicos.
- "Post-prints" (es decir, las versiones aceptadas pero no editadas del manuscrito) también se pueden publicar previamente en línea, siempre que se especifique el reconocimiento de la autoría y la fuente como se indicó anteriormente.
Para usos no estándar de artículos o materiales publicados en Historia Contemporánea, comuníquese con nuestra editorial UPV / EHU Press en: collections@ehu.eus