ArteLab-FUTURO-Tapeçaria Contemporânea. Inovação na prática artística em contexto hiperciberliberal

Abstract

We present the concept of ArtLab (Artistic Laboratory), as a new approach research and experiments into the artistic domain, will be Martin Heidegger, that considers important to exist «a space to think», and to question the place of the man in a globalization context, that we start this article. We relate, critically, the implications of the innovation in the strategies of development of the postindustrial societies throught the film «Inside Job» (2010), of Charles H. Ferguson, that places with clarity the origen of the corruption of the financial crisis in the first decade of century xxi. Viviane Forrester interrogates on the absolute in power system and the inevitabilities of the «science of the economy», corroborated for democrataiment (Mario Perniola), a type of spectacle indefinable, but protitable. In «Kate Moss Machine», Christian Salmon, speculates on a new neoliberal patadigm, considered as «contamination imagine-technique», where the star-system it has central place. In the postindustrial societies one gave to a rupture between the consuming citizen (Jean Baudrillard) and the reduced «citizen-company», the capital citizen (Michel Foucault), praised for the neoliberal cybercracies. Hannat Arendt interprets and disassembles the governments capable of the programmed destruction of the Humanity, this is strengthened condition by Giorgio Agamben and intensified by the exerted domain appealing the technological devices highly sophisticated that imprision and privatize proper life. Gilles Lipovetsky, mentions the image to it, that if had of the artists, the intellectuals, the divergent thought, of the free thinkers, capable to breach with the opacity and normality of the assent. We approach one project implemented in the Faculty of Fine Arts of the University of Lisbon, into the first degree of painting, intitled: «ArtLab – FUTURO – Tapestry Contemporary (2011), where it is announces a new university paradigm, with the integration of the concept of innovation, whose amplitude is determinative to a new artistic pratice, and that it is stops beyond the symbolic dimension, proportionate for works of artwhere the creativity is mark of the research in environment of experimental artistic laboratory..