La configuración de una colección nobiliaria. El ejemplo de la Casa de Parcent (1656-1927)

Abstract

This article analyzes the configuration of the art collection of the counts of Parcent, focusing on those artistic assets whose presence is more significant in the inventories of the House: paintings, tapestries, jewelry and silver. To analyze this collection, we have focused on the Italian origin of this lineage, his relationship with Pope Innocent XI and his activity as lenders, as differentiating facts of his collector side. To which the incorporation of the House, County Contamina and Marquis of Fuente el Sol is added, incorporating important artistic ensembles both movable and immovable.