Post-feminismo(s), Quality Television y Breaking Bad
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Publicado
21-07-2015
Francisco Javier López Rodríguez
Resumen
Las series de televisión estadounidenses constituyen un objeto de estudio privilegiado para reflexionar sobre la construcción, la representación y la proyección de los sujetos sociales. Utilizando los planteamientos del post-feminismo, el presente artículo ofrece un análisis de los personajes femeninos de la serie Breaking Bad. La metodología de análisis combina conceptos procedentes de la Narrativa Audiovisual y los Estudios de Género, y la discusión de los resultados se organiza en torno a tres núcleos principales que afectan a la construcción del sujeto femenino en dicha serie: la maternidad, la sexualidad y el campo de acción.
Cómo citar
López Rodríguez, F. J. (2015). Post-feminismo(s), Quality Television y Breaking Bad. ZER: Revista De Estudios De Comunicación = Komunikazio Ikasketen Aldizkaria, 20(38). https://doi.org/10.1387/zer.14790
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References
BLEVINS, Jacob; WOOD, Dafydd (eds.) (2015): The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina.
BORDWELL, Benjamin; GENZ, Stéphanie (eds.) (2007). Postfeminist Gothic. Critical Interventions in Contemporary Culture. Palgrave Macmillan: Hampshire.
BROOKS, Ann (1997). Postfeminisms. Feminism, cultural theory and cultural forms. Routledge: Londres.
BUCKLE, Cara Louise; OTT, Brian (2008). Fasion(able/ing) selves: Consumption, Identity and Sex and the City. En: LEVERETTE, Marc; OTT, Brian; BUCKLE, Cara Louise (eds.). It's Not TV: Watching HBO in the Post-Television Era. Routledge: Nueva York, pp. 209-226.
CARDWELL, Sarah. (2007). Is Quality Television Any Good? Generic Distinctions, Evaluations, and the Troubling Matter of Critical Judgement. En MCCABE, Janet; AKASS, Kim (eds.). Quality TV. Contemporary American Television and Beyond. Londres: IB Tauris, pp. 19-34.
CASCAJOSA, Concepción (2009). La nueva edad dorada de la televisión norteamericana. En Secuencias: Revista de historia del cine, nº 29, 2009, pp. 7-31.
CASETTI, Francesco; DI CHIO, Federico (2003). Cómo analizar un film. Barcelona: Paidós.
CHICHARRO, Mar (2013). Representaciones de la mujer en la ficción postfeminista: Ally McBeal, Sex and the City y Desperate Housewives. En: Papers, 98, 1, pp. 11-31.
COBO, Sergio; HERNÁNDEZ-SANTAOLALLA, Víctor (eds.) (2013). Breaking bad: 530 gramos (de papel) para serieadictos no rehabilitados. Madrid: Errata Naturae.
DOANNE, Mary Anne (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis. Routledge: New York.
FAUCETTE, Brian (2014). Taking Control: Male Angst and the Re-Emergence of Hegemonic Masculinity in Breaking Bad. En: PIERSON, David (ed.). Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series. Lexington Books: Plymouth.
FERNÁNDEZ PICHEL, Samuel (2013). Amado monstruo: lo heroico y lo monstruoso en Walter White. En: COBO, Sergio; HERNÁNDEZ-SANTAOLALLA, Víctor (eds.). Breaking bad: 530 gramos (de papel) para serieadictos no rehabilitados. Madrid: Errata Naturae, pp. 105-122.
GAMBLE, Sara (ed.) (2006). The Routledge Companion to Feminism and Postfeminism. Londres: Routledge.
GENZ, Stephanie; BRABON, Benjamin A. (2009). Postfeminism. Cultural Texts and Theories. Edimburgo: Edinburgh University Press.
GERHARD, Jane (2005). Sex and the City. En: Feminist Media Studies, 5:1, pp. 37-49.
GILL, Rosalind (2007): Postfeminist media culture. Elements of a sensibility. En: European Journal of Cultural Studies,vol. 10 (2), pp. 147-166.
GILL, Rosalind; SCHARFF, Christina (eds.) (2011). New Femininities. Postfeminism, Neoliberalism and Subjectivity. Hampshire: Palgrave Macmillan.
GILL, Rosalind (2014). Postfeminist sexual culture. En CARTER, Cynthia; STEINER, Linda; McLAUGHLIN, Lisa (eds.). The Routledge Companion to Media and Gender. Oxon: Routledge, pp. 589-599.
GUNN, Gunn (2012). Entrevistada por Sean T. Collins en Rolling Stone. Disponible en http://www.rollingstone.com/movies/news/q-a-breaking-bad-star-anna-gunn-on-skylers-suffering-20120730 (consultado el 25 de enero de 2013).
GWYNNE, Joel; MULLER, Nadine (2013) Postfeminism and Contemporary Hollywood Cinema. Hampshire: Palgrave Macmillan.
JOHNSON, Merri Lisa (ed.) (2007). Third Wave Feminism and Television: Jane Puts it in a Box. Londres: IB Tauris.
KOEPSELL, David; ARP, Robert (2012). Breaking bad and philosophy. Badder Living through Chemistry. Chicago: Open Court.
LANDRUM, Jason (2015). Say My Name: The Fantasy of Liberated Masculinity. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 94-109.
LAURETIS, Teresa (1992). Alicia ya no: feminismo, semiótica, cine. Madrid: Cátedra.
LEVERETTE, Marc; OTT, Brian; BUCKLE, Cara Louise (eds.) (2008). It's Not TV: Watching HBO in the Post-Television Era. Routledge: Nueva York.
LÓPEZ RODRÍGUEZ, Francisco Javier; GARCÍA, Juan A. (2013). Arquetipos femeninos en Juego de Tronos: tipología y roles de género. En LOZANO, Javier; RAYA, Irene; LÓPEZ RODRÍGUEZ, Francisco Javier (eds.) Reyes, espadas, cuervos y dragones. Estudio del fenómeno televisivo Juego de Tronos. Madrid: Fragua, pp. 201-228.
LOTZ, Amanda D. (2001). Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes. En Feminist Media Studies, 1:1, pp. 105-121.
LUMBY, Catherine (2014). Post-postfeminism. En: CARTER, Cynthia; STEINER, Linda; McLAUGHLIN, Lisa (eds.). The Routledge Companion to Media and Gender. Oxon: Routledge, pp. 589-599.
MACHLIDEON, Veronique (2000). Masquerade: A Femenine or Feminist Strategy. En: RUDNYTSKY, Peter L.; GORDON, Andrew (eds.). Psychoanalyses/Feminisms. Albany: State University of New York, pp. 103-120.
McCABE, Janet; AKASS, Kim (eds.) (2007). Quality TV. Contemporary American Television and Beyond. Londres: IB Tauris.
McKENNA, Susan (2002). The Queer Insistence of Ally McBeal: Lesbian Chic, Postfeminism, and Lesbian Reception. En: Reception, The Communication Review, 5:4, pp. 285-314.
McROBBIE, Angela (2009). The Aftermath of Feminism Gender, Culture and Social Change. California: Sage Publications.
MOSELEY, Rachel; READ; Jacinda (2002). "Having it Ally": Popular Television (Post-)Feminism. En: Feminist Media Studies, 2:2, pp. 231-249.
NEGRA, Diane (2004). Quality Postfeminism? Sex and the Single Girl on HBO. En Genders, 39. Disponible en http://www.genders.org/g39/g39_negra.html (consultado el 29 de enero de 2013).
NEGRA, Diane (2009). What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism. Oxon: Routledge.
ORIA, Beatriz (2014). Talking Dirty on Sex and the City: Romance, Intimacy, Friendship. Plymouth: Rowman & Littlefield.
OULETTE, Laurie (2002). Victims No More: Postfeminism, Television, and Ally McBeal. En: The Communication Review, 5:4, pp. 315-335.
PIERSON, David (ed.) (2014). Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series. Lexington Books: Plymouth.
PRICE WOOD, Rebeca (2015). Breaking Bad Stereotypes about Postpartum: A Case for Skyler White. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 132-146.
POE, Philip (2015). Patriarchy and the Heisenberg Principle. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 109-121.
RAYA, Irene (2012). Los modelos actuales de heroína en la ficción televisiva norteamericana de contenido maravilloso. Análisis de casos: Buffy Summers, Kara Thrace y Sookie Stackhouse. Libro de Actas del I Congreso Internacional de Comunicación y Género, pp. 1336-1363.
TASKER, Yvonne; NEGRA, Diane (eds.) (2007). Interrogating Post-feminism. Gender and the politics of popular culture. Durham: Duke University Press.
TYLER, Imogen (2011). Pregnant Beauty: Maternal Femininities under Neoliberalism. En: GILL, Rosalind; SCHARFF, Christina (eds.). New Femininities. Postfeminism, Neoliberalism and Subjectivity. Hampshire: Palgrave Macmillan, pp. 21-36.
VERNAY, Denise du (2012). Breaking Bonds. En KOEPSHELL, David R.; ARP, Robert Arp (eds.). Breaking Bad and Philosophy. Badder living through Chemistry. Chicago: Open Court Publishing, pp.191-199.
WATERS, Melanie (ed.). (2011). Women on Screen. Feminism and Femininity in Visual Culture. Hampshire: Palgrave Macmillan.
BORDWELL, Benjamin; GENZ, Stéphanie (eds.) (2007). Postfeminist Gothic. Critical Interventions in Contemporary Culture. Palgrave Macmillan: Hampshire.
BROOKS, Ann (1997). Postfeminisms. Feminism, cultural theory and cultural forms. Routledge: Londres.
BUCKLE, Cara Louise; OTT, Brian (2008). Fasion(able/ing) selves: Consumption, Identity and Sex and the City. En: LEVERETTE, Marc; OTT, Brian; BUCKLE, Cara Louise (eds.). It's Not TV: Watching HBO in the Post-Television Era. Routledge: Nueva York, pp. 209-226.
CARDWELL, Sarah. (2007). Is Quality Television Any Good? Generic Distinctions, Evaluations, and the Troubling Matter of Critical Judgement. En MCCABE, Janet; AKASS, Kim (eds.). Quality TV. Contemporary American Television and Beyond. Londres: IB Tauris, pp. 19-34.
CASCAJOSA, Concepción (2009). La nueva edad dorada de la televisión norteamericana. En Secuencias: Revista de historia del cine, nº 29, 2009, pp. 7-31.
CASETTI, Francesco; DI CHIO, Federico (2003). Cómo analizar un film. Barcelona: Paidós.
CHICHARRO, Mar (2013). Representaciones de la mujer en la ficción postfeminista: Ally McBeal, Sex and the City y Desperate Housewives. En: Papers, 98, 1, pp. 11-31.
COBO, Sergio; HERNÁNDEZ-SANTAOLALLA, Víctor (eds.) (2013). Breaking bad: 530 gramos (de papel) para serieadictos no rehabilitados. Madrid: Errata Naturae.
DOANNE, Mary Anne (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis. Routledge: New York.
FAUCETTE, Brian (2014). Taking Control: Male Angst and the Re-Emergence of Hegemonic Masculinity in Breaking Bad. En: PIERSON, David (ed.). Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series. Lexington Books: Plymouth.
FERNÁNDEZ PICHEL, Samuel (2013). Amado monstruo: lo heroico y lo monstruoso en Walter White. En: COBO, Sergio; HERNÁNDEZ-SANTAOLALLA, Víctor (eds.). Breaking bad: 530 gramos (de papel) para serieadictos no rehabilitados. Madrid: Errata Naturae, pp. 105-122.
GAMBLE, Sara (ed.) (2006). The Routledge Companion to Feminism and Postfeminism. Londres: Routledge.
GENZ, Stephanie; BRABON, Benjamin A. (2009). Postfeminism. Cultural Texts and Theories. Edimburgo: Edinburgh University Press.
GERHARD, Jane (2005). Sex and the City. En: Feminist Media Studies, 5:1, pp. 37-49.
GILL, Rosalind (2007): Postfeminist media culture. Elements of a sensibility. En: European Journal of Cultural Studies,vol. 10 (2), pp. 147-166.
GILL, Rosalind; SCHARFF, Christina (eds.) (2011). New Femininities. Postfeminism, Neoliberalism and Subjectivity. Hampshire: Palgrave Macmillan.
GILL, Rosalind (2014). Postfeminist sexual culture. En CARTER, Cynthia; STEINER, Linda; McLAUGHLIN, Lisa (eds.). The Routledge Companion to Media and Gender. Oxon: Routledge, pp. 589-599.
GUNN, Gunn (2012). Entrevistada por Sean T. Collins en Rolling Stone. Disponible en http://www.rollingstone.com/movies/news/q-a-breaking-bad-star-anna-gunn-on-skylers-suffering-20120730 (consultado el 25 de enero de 2013).
GWYNNE, Joel; MULLER, Nadine (2013) Postfeminism and Contemporary Hollywood Cinema. Hampshire: Palgrave Macmillan.
JOHNSON, Merri Lisa (ed.) (2007). Third Wave Feminism and Television: Jane Puts it in a Box. Londres: IB Tauris.
KOEPSELL, David; ARP, Robert (2012). Breaking bad and philosophy. Badder Living through Chemistry. Chicago: Open Court.
LANDRUM, Jason (2015). Say My Name: The Fantasy of Liberated Masculinity. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 94-109.
LAURETIS, Teresa (1992). Alicia ya no: feminismo, semiótica, cine. Madrid: Cátedra.
LEVERETTE, Marc; OTT, Brian; BUCKLE, Cara Louise (eds.) (2008). It's Not TV: Watching HBO in the Post-Television Era. Routledge: Nueva York.
LÓPEZ RODRÍGUEZ, Francisco Javier; GARCÍA, Juan A. (2013). Arquetipos femeninos en Juego de Tronos: tipología y roles de género. En LOZANO, Javier; RAYA, Irene; LÓPEZ RODRÍGUEZ, Francisco Javier (eds.) Reyes, espadas, cuervos y dragones. Estudio del fenómeno televisivo Juego de Tronos. Madrid: Fragua, pp. 201-228.
LOTZ, Amanda D. (2001). Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes. En Feminist Media Studies, 1:1, pp. 105-121.
LUMBY, Catherine (2014). Post-postfeminism. En: CARTER, Cynthia; STEINER, Linda; McLAUGHLIN, Lisa (eds.). The Routledge Companion to Media and Gender. Oxon: Routledge, pp. 589-599.
MACHLIDEON, Veronique (2000). Masquerade: A Femenine or Feminist Strategy. En: RUDNYTSKY, Peter L.; GORDON, Andrew (eds.). Psychoanalyses/Feminisms. Albany: State University of New York, pp. 103-120.
McCABE, Janet; AKASS, Kim (eds.) (2007). Quality TV. Contemporary American Television and Beyond. Londres: IB Tauris.
McKENNA, Susan (2002). The Queer Insistence of Ally McBeal: Lesbian Chic, Postfeminism, and Lesbian Reception. En: Reception, The Communication Review, 5:4, pp. 285-314.
McROBBIE, Angela (2009). The Aftermath of Feminism Gender, Culture and Social Change. California: Sage Publications.
MOSELEY, Rachel; READ; Jacinda (2002). "Having it Ally": Popular Television (Post-)Feminism. En: Feminist Media Studies, 2:2, pp. 231-249.
NEGRA, Diane (2004). Quality Postfeminism? Sex and the Single Girl on HBO. En Genders, 39. Disponible en http://www.genders.org/g39/g39_negra.html (consultado el 29 de enero de 2013).
NEGRA, Diane (2009). What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism. Oxon: Routledge.
ORIA, Beatriz (2014). Talking Dirty on Sex and the City: Romance, Intimacy, Friendship. Plymouth: Rowman & Littlefield.
OULETTE, Laurie (2002). Victims No More: Postfeminism, Television, and Ally McBeal. En: The Communication Review, 5:4, pp. 315-335.
PIERSON, David (ed.) (2014). Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series. Lexington Books: Plymouth.
PRICE WOOD, Rebeca (2015). Breaking Bad Stereotypes about Postpartum: A Case for Skyler White. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 132-146.
POE, Philip (2015). Patriarchy and the Heisenberg Principle. En: BLEVINS, Jacob; WOOD, Dafydd (eds.). The Methods of Breaking Bad: Essays on Narrative, Character and Ethics. McFarland: North Carolina, pp. 109-121.
RAYA, Irene (2012). Los modelos actuales de heroína en la ficción televisiva norteamericana de contenido maravilloso. Análisis de casos: Buffy Summers, Kara Thrace y Sookie Stackhouse. Libro de Actas del I Congreso Internacional de Comunicación y Género, pp. 1336-1363.
TASKER, Yvonne; NEGRA, Diane (eds.) (2007). Interrogating Post-feminism. Gender and the politics of popular culture. Durham: Duke University Press.
TYLER, Imogen (2011). Pregnant Beauty: Maternal Femininities under Neoliberalism. En: GILL, Rosalind; SCHARFF, Christina (eds.). New Femininities. Postfeminism, Neoliberalism and Subjectivity. Hampshire: Palgrave Macmillan, pp. 21-36.
VERNAY, Denise du (2012). Breaking Bonds. En KOEPSHELL, David R.; ARP, Robert Arp (eds.). Breaking Bad and Philosophy. Badder living through Chemistry. Chicago: Open Court Publishing, pp.191-199.
WATERS, Melanie (ed.). (2011). Women on Screen. Feminism and Femininity in Visual Culture. Hampshire: Palgrave Macmillan.
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