Música electroacústica en Buenos Aires: un estudio de recepción

Abstract

This paper is placed on the tradition of the studies about questions related to cultural products reception. Its focus are the perceptions and meanings of the audience consuming those products. Consists on the presentation of the results of the empiric phase of the investigation through which is tried to explain the reasons that justify the problematic relationship between public and music produced by electroacoustic means at academic level, in the city of Buenos Aires.