Betrayal of images: mechanisms and rhetorical strategies of audiovisual falsification
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Published
02-11-2011
Alberto Nahum García Martínez
Abstract
Audiovisual forgery is a filmic practice –which has undergone a certain rise since the mid-1970s– that simulates aesthetic modes and the strategies of discursive construction of the documentary genre. Together with this stylistic appropriation, the fake also proposes a self-reflexive meditation on the limits of representation, the credibility of the image and its potentially lying and manipulative character. This article approaches the phenomenon from a historical perspective in order to then define the reflexive, poetic and rhetorical characteristics that define it.
How to Cite
García Martínez, A. N. (2011). Betrayal of images: mechanisms and rhetorical strategies of audiovisual falsification. ZER - Journal of Communication Studies, 12(22). https://doi.org/10.1387/zer.3692
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(c) UPV/EHU Press