Mike Leighen zinemagintza-estiloa eta filmetako kontakizuna eraikitzeko metodoa: munduaren ikusmolde etiko eta estetiko baten isla
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Argitaratua
27-05-2016
Laura Cortés-Selva
María Mercedes Carmona-Martínez
Laburpena
Mike Leigh zinema-zuzendariaren ikuspegi etiko eta estetikoak goitik behera bustitzen ditu haren zinema-lanak; hori dela eta, haren filmak ez dira Ipar Amerikako zinema komertzialaren etiketapean sailkatzen direnak bezalakoak. Ikerketa honen helburu nagusia da haren metodoa aztertzea, bai eta haren estiloa osatzen duten elementu garrantzitsuenetako batzuk aztertzea ere, Ipar Amerikako zinema komertzialetik bereizten duten ezaugarriak ahaztu gabe. Horretarako, metodologia kualitatiboa eta kuantitatiboa konbinatu dira: alde batetik, autoreari buruzko iturri nagusiak kontsultatu dira eta, bestetik, haren zinema-estiloaren elementurik garrantzitsuenak kuantitatiboki aztertu dira.
Nola aipatu
Cortés-Selva, L., & Carmona-Martínez, M. M. (2016). Mike Leighen zinemagintza-estiloa eta filmetako kontakizuna eraikitzeko metodoa: munduaren ikusmolde etiko eta estetiko baten isla. Zer - Komunikazio Ikasketen Aldizkaria, 21(40). https://doi.org/10.1387/zer.16414
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References
BAZIN, André (2000). Qué es el cine. Madrid: Rialp.
BORDWELL, David (2006). The way Hollywood tells it. Berkeley and London: University of California Press.
CARDULLO, Bert (2010). Loach and Leigh, Ltd.: The Cinema of Social Conscience. Cambridge: Cambridge Scholars Publishing.
CARNEY, Ray (2000). The films of Mike Leigh. Embracing the world. Cambridge: Cambridge University Press.
CLEMENTS, Paul (1983). The improvised play: The work of Mike Leigh. London: Methuen.
CORTÉS-SELVA, Laura y CARMONA-MARTÍNEZ, Mercedes (2014). Propuesta metodológica para el análisis del estilo visual de los filmes: un acercamiento empírico. En: UBIERNA, Francisco; SIERRA, Javier (coord.). Miscelánea sobre el entorno audiovisual en 2014. Madrid: Fragua.
––(2013). El sello del estilo visual de Dick Pope y Mike Leigh: análisis de su obra cinematográfica. En: Historia y Comunicación Social, vol. 18, Nº Esp. Octubre, pp. 491-501.
COVENEY, Michael (1996). The world according to Mike Leigh. London: Harper-Collins.
IRVINE, Ian K.(2008). But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage. Masters by Research thesis: Queensland University of Technology.
LEIGH, Mike (2002). All or nothing. London: Faber and Faber.
––(1999). Topsy-Turvy. London: Faber and Faber.
––(1997a). Secrets and lies. London: Faber and Faber.
––(1997b). Career girls. London: Faber and Faber.
––(1995). Naked and other screenplays. London: Faber and Faber.
MOVSHOVITZ, Howie (ed.) (2000). Mike Leigh interviews. Jackson: University Press of Mississippi.
O´SULLIVAN, Sean (2011). Mike Leigh. Urbana: University of Illinois Press.
RAPHAEL, Amy (ed.) (2008). Mike Leigh on Mike Leigh. New York: Faber & Faber.
SALT, Barry (2006). Moving into pictures. London: Starword.
WATSON, Garry (2004). The cinema of Mike Leigh: A sense of the real. London: Wallflower press.
WHITEHEAD, Tony (2007). Mike Leigh. Manchester: Manchester University Press.
BORDWELL, David (2006). The way Hollywood tells it. Berkeley and London: University of California Press.
CARDULLO, Bert (2010). Loach and Leigh, Ltd.: The Cinema of Social Conscience. Cambridge: Cambridge Scholars Publishing.
CARNEY, Ray (2000). The films of Mike Leigh. Embracing the world. Cambridge: Cambridge University Press.
CLEMENTS, Paul (1983). The improvised play: The work of Mike Leigh. London: Methuen.
CORTÉS-SELVA, Laura y CARMONA-MARTÍNEZ, Mercedes (2014). Propuesta metodológica para el análisis del estilo visual de los filmes: un acercamiento empírico. En: UBIERNA, Francisco; SIERRA, Javier (coord.). Miscelánea sobre el entorno audiovisual en 2014. Madrid: Fragua.
––(2013). El sello del estilo visual de Dick Pope y Mike Leigh: análisis de su obra cinematográfica. En: Historia y Comunicación Social, vol. 18, Nº Esp. Octubre, pp. 491-501.
COVENEY, Michael (1996). The world according to Mike Leigh. London: Harper-Collins.
IRVINE, Ian K.(2008). But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage. Masters by Research thesis: Queensland University of Technology.
LEIGH, Mike (2002). All or nothing. London: Faber and Faber.
––(1999). Topsy-Turvy. London: Faber and Faber.
––(1997a). Secrets and lies. London: Faber and Faber.
––(1997b). Career girls. London: Faber and Faber.
––(1995). Naked and other screenplays. London: Faber and Faber.
MOVSHOVITZ, Howie (ed.) (2000). Mike Leigh interviews. Jackson: University Press of Mississippi.
O´SULLIVAN, Sean (2011). Mike Leigh. Urbana: University of Illinois Press.
RAPHAEL, Amy (ed.) (2008). Mike Leigh on Mike Leigh. New York: Faber & Faber.
SALT, Barry (2006). Moving into pictures. London: Starword.
WATSON, Garry (2004). The cinema of Mike Leigh: A sense of the real. London: Wallflower press.
WHITEHEAD, Tony (2007). Mike Leigh. Manchester: Manchester University Press.
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