Botto, Juan Diego (2022). En los márgenes. Película
##plugins.themes.bootstrap3.article.main##
##plugins.themes.bootstrap3.article.sidebar##
Published
27-10-2023
Iñaki Robles Elong
How to Cite
Robles Elong, I. (2023). Botto, Juan Diego (2022). En los márgenes. Película. Papeles De Identidad, 2023(2), papel crítico 95. https://doi.org/10.1387/pceic.25064
##plugins.themes.bootstrap3.article.details##
References
Álvarez, A., y Sebastiani, L. (2019). Una década de luchas contra los desahucios. De la vergüenza y la soledad a los agenciamientos cotidianos. Papeles del CEIC, 2019(1), 1-19.
Calder, L. (1999). Financing the American Dream. A cultural history of Consumer credit. Princeton: University Press.
González Iñarritu, A. (Dir.). (2000). Amores Perros [Film]. Altavista Films y Zeta Films.
Graeber, D. (2013). Dette: 5000 ans d’histoire. Paris: Les liens qui libèrent.
Haggis, P. (Dir.). (2004). Crash [Film]. ApolloProScreen, GmbH & Co., Harris Company, BlackFriar’s Bridge, Bull’s Eye Entertainment, Yari Film Group y DEJ Productions.
Lazzarato, M. (2011). La fabrique de l’homme endetté. Essai sur la condition néolibérale. Paris: Amsterdam.
Marshall, T. H. (1997). Ciudadanía y clase social. REIS: Revista Española de Investigaciones Sociológicas, 79, 297-346.
Martínez Gutiérrez, E.(ed.) (2008). Maurice Halbwachs. Estudios de morfología social de la ciudad. Madrid: CIS.
Robles, I. (2023). “Entre el tocho y el desahucio”: Tiempos de espera desesperada hacia la precariedad de vivir “sin domicilio fijo”. En G. Gatti, S. Olmo y A. Villar (Eds.), Contar la espera (pp. 59-61). Leioa: Universidad del País Vasco.
Wilkis, A. (2015). Sociología moral del dinero en el mundo popular. Estudios Sociológicos, XXXIII(99), 553-578.
Calder, L. (1999). Financing the American Dream. A cultural history of Consumer credit. Princeton: University Press.
González Iñarritu, A. (Dir.). (2000). Amores Perros [Film]. Altavista Films y Zeta Films.
Graeber, D. (2013). Dette: 5000 ans d’histoire. Paris: Les liens qui libèrent.
Haggis, P. (Dir.). (2004). Crash [Film]. ApolloProScreen, GmbH & Co., Harris Company, BlackFriar’s Bridge, Bull’s Eye Entertainment, Yari Film Group y DEJ Productions.
Lazzarato, M. (2011). La fabrique de l’homme endetté. Essai sur la condition néolibérale. Paris: Amsterdam.
Marshall, T. H. (1997). Ciudadanía y clase social. REIS: Revista Española de Investigaciones Sociológicas, 79, 297-346.
Martínez Gutiérrez, E.(ed.) (2008). Maurice Halbwachs. Estudios de morfología social de la ciudad. Madrid: CIS.
Robles, I. (2023). “Entre el tocho y el desahucio”: Tiempos de espera desesperada hacia la precariedad de vivir “sin domicilio fijo”. En G. Gatti, S. Olmo y A. Villar (Eds.), Contar la espera (pp. 59-61). Leioa: Universidad del País Vasco.
Wilkis, A. (2015). Sociología moral del dinero en el mundo popular. Estudios Sociológicos, XXXIII(99), 553-578.
Section
Critical papers
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The contents of Papeles de Identidad are distributed, since 2024, under the license Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
You are free to:
- copy, distribute and publicly communicate the work
Under the following conditions:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes.
- NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
Understanding that:
- Waiver — Some of these conditions may not apply if permission is obtained from the copyright holder.
- Public Domain — Where the work or any element of the work is in the public domain under applicable law, this is not affected by the license.
- Other rights — The following rights are not affected by the license in any way:
- Rights arising from lawful uses or other limitations recognized by law are not affected by the foregoing.
- The moral rights of the author;
- Rights that may be held by others in the work itself or its use, such as image or privacy rights.
- Notice — When reusing or distributing the work, you must make clear the terms of the license of this work.
The author may make free use of his/her article, always indicating that the text has been published in Papeles de Identidad since the University of the Basque Country retains the copyright. Any re-publication of the article must be, as well, authorized by the journal.