Connecting sound energy and visuality

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Published 2016-07-12
Guillermo Aymerich Goyanes

Abstract

Connecting painting and music building a series of sonorous-paintings. Involving literature, performance, dance and robotics, also, in a transdisciplinary way and within a pseudo-metropolitan environment. Based on the poem bā yīn Eight sounds, part of the literary gem the San zi jing, or The three-character classic (Southern Song dynasty), which embodies the neo-Confucian ideal of uniting education, moral and philosophy. Any aspect in Chinese culture isn´t an isolated phenomenon but rather a contextual part related to diverse aspects of life: emerging special kind of cosmogonist systems. Visual and sound experiences as a mixed result by using different Chinese concepts, but presented alongside Western solutions in symbiosis. The project makes a system just taking those approaches to face music and painting, each other, while both of them emerge, develop, demonstrate and perform in unison, in a parallel and mutually binding manner. Linked but following a mutual destruction which summon the energy of an eternal vital circle. Technology and culture are showed under 4 audiovisual formats and 8 strictly visual formats, as well.

How to Cite

Aymerich Goyanes, Guillermo. 2016. “Connecting Sound Energy and Visuality”. AusArt 4 (1). https://doi.org/10.1387/ausart.16690.
Abstract 630 | PDF (Español (España)) Downloads 836

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Keywords

PAINTING/MUSIC, SONOROUS PAINTINGS, SOUND ART, ROBOTICS BALLET, ARDUINO, CHINA VS OCCIDENT

References
Aymerich Goyanes, Guillermo. 2015. «Bā yīn 八音8 sonidos: Proyecto cuadros sonoros [Bā yīn 八音 8 sounds: Sonorous paintings project]». https://n9.cl/4nkaa

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