Engraving and memory Activating images from photographic archives through engraving
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Published
2023-04-27
Maite Pinto Zangróniz
Abstract
This article aims to highlight the importance of reactivating archival images through artistic creation, specifically through printmaking. To do this, I will present various artists who work with archival images through printmaking, and finally I will show examples from my own artistic practice of how these creations have established links with different viewers.
How to Cite
Pinto Zangróniz, Maite. 2023. “Engraving and Memory: Activating Images from Photographic Archives through Engraving”. AusArt 11 (1). https://doi.org/10.1387/ausart.24200.
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Keywords
ARCHIVES, ENGRAVING, MEMORY, TRACE, IMAGE
References
Arnold-de Simine, Silke & Joanne Leal, eds. 2021. Picturing the family: Media, narrative and memory. Abingdon, UK: Routledge Routledge
Benjamin, Walter. (1983) 2005. Libro de los pasajes. Edición de Rolf Tiedemann. Madrid: Akal
Bourriaud, Nicolas. 2004. Postproducción: La cultura como escenario; Modos en que el arte reprograma el mundo contemporáneo. Traducción de Silvio Mattoni. Buenos Aires: Adriana Hidalgo
Didi-Huberman, Georges. 2020. “Opening up an anachronistic point of view 1997”. En Perspectives on contemporary printmaking: Critical writing since 1986, edited by Ruth Pelzer-Montada, 184-195. Manchester, MI: Manchester University
Guasch Ferrer, Anna Maria. 2011. Arte y archivo, 1920-2010: Genealogías, tipologías y discontinuidades. Tres Cantos, Madrid: Akal
Guasch Ferrer, Anna Maria. 2005. “Los lugares de la memoria: El arte de archivar y recordar”. “Passatges del segle XX”, monográfico de Materia 5: 157-183. http://www.raco.cat/index.php/Materia/article/viewFile/83233/112454
Foucault, Michel. (1969) 2009. La arqueología del saber. Traducción de Aurelio Garzón del Camino. Ciudad de México: Siglo XXI
Han, Byung-Chul. 2021. No-cosas: Quiebras del mundo de hoy. Traducción de Joaquín Chamorro Mielke. Barcelona: Penguin Random House
Hedstrom, Margaret. 2002. “Archives, memory, and interfaces with the past”. Archival Science 2: 21–43. https://doi.org/10.1023/A:1020800828257
Krauss, Rosalind. 1977. “Notes on the index: Seventies art in America”. October 3: 68-81. https://doi.org/10.2307/778437
Langford, Martha. 2006. “Speaking the Album: An application of the oral-photographic framework“. En Locating memory: Photographic acts, edited by Annette Kuhn & Kirsten Emiko McAllister, 223-246. New York: Berghahn
Benjamin, Walter. (1983) 2005. Libro de los pasajes. Edición de Rolf Tiedemann. Madrid: Akal
Bourriaud, Nicolas. 2004. Postproducción: La cultura como escenario; Modos en que el arte reprograma el mundo contemporáneo. Traducción de Silvio Mattoni. Buenos Aires: Adriana Hidalgo
Didi-Huberman, Georges. 2020. “Opening up an anachronistic point of view 1997”. En Perspectives on contemporary printmaking: Critical writing since 1986, edited by Ruth Pelzer-Montada, 184-195. Manchester, MI: Manchester University
Guasch Ferrer, Anna Maria. 2011. Arte y archivo, 1920-2010: Genealogías, tipologías y discontinuidades. Tres Cantos, Madrid: Akal
Guasch Ferrer, Anna Maria. 2005. “Los lugares de la memoria: El arte de archivar y recordar”. “Passatges del segle XX”, monográfico de Materia 5: 157-183. http://www.raco.cat/index.php/Materia/article/viewFile/83233/112454
Foucault, Michel. (1969) 2009. La arqueología del saber. Traducción de Aurelio Garzón del Camino. Ciudad de México: Siglo XXI
Han, Byung-Chul. 2021. No-cosas: Quiebras del mundo de hoy. Traducción de Joaquín Chamorro Mielke. Barcelona: Penguin Random House
Hedstrom, Margaret. 2002. “Archives, memory, and interfaces with the past”. Archival Science 2: 21–43. https://doi.org/10.1023/A:1020800828257
Krauss, Rosalind. 1977. “Notes on the index: Seventies art in America”. October 3: 68-81. https://doi.org/10.2307/778437
Langford, Martha. 2006. “Speaking the Album: An application of the oral-photographic framework“. En Locating memory: Photographic acts, edited by Annette Kuhn & Kirsten Emiko McAllister, 223-246. New York: Berghahn
Section
Articles
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