Setting plates on fire Fire and flame as a creative tool for plates in contemporary printmaking
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Abstract
Fire as a dichotomic element (it creates and it destroys) plays a fundamental role in every artistic area, being the starting point of experimental processes in almost every creative discipline. The intention of this article is to analize the importance of the fire and the relation the human being has with it, contextualizing in a superficial way the emergence of this fascination, and also to talk about how to develop the use of this element on the creation of etching plates amongst the experimental processes in the on-paper graphic art nowadays. We will also briefly mention a personal selection of artists related to this technique or to similar ones, beggining with the performative action of fire-printing , and finishing with the physical aspect of melting the plate in order to archieve a print
How to Cite
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FIRE, FLAME, ETCHING, PLATE, EXPERIMENTAL ART
Gibbons, Ann. 2007. “Food for thought”. Science 316(5831): 1558-1560. DOI: 10.1126/science.316.5831.1558
Luke, Kim. 2012. “Evidence that human ancestors used fire one million years ago”. ScienceDaily, 2 April. https://www.sciencedaily.com/releases/2012/04/120402162548.htm
Lumley, Henry de, dir. 2015. Sur le chemin de l'humanité: Via humanitatis; Les grandes étapes de l'évolution morphologique et culturelle de l'homme; Émergence de l'être humain. Colloque international de l'Academie Pontificale des Sciences, Cité du Vatican, vendredi 19-dimanche 21 avril 2013. Paris: Centre National de la Recherche
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