Implications on the Cave Art Chronological Sequence of Gravettian Figurative Portable Art from the Iberian Peninsula
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Abstract
Taking the characterization of the iberian gravettian portable art (Morín, Antoliñako koba, El Castillo, Mallaetes, El Parpalló) as a starting point, graphic relations are explored between each piece and iberian rock art, taking into account chronological and geographical considerations. We came to the conclusion that the gravettian art cycle is characterized by a high degree of graphic normativism; comparisons permit us to stablish graphic tendencies caracteristic of a wide geographical distribution. The available chronological data doesn't allow us to be precise about specific execution times to discuss the gravettian graphic cycle.
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