Topology from Art and Math to contemporary cities
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Published
2013-11-07
Emmer Michele
Abstract
Mathematics is not a mere tool of kitchen recipes, but has contributed to, if not determined, our way of conceiving space on Earth and even in the Universe. A lack of awareness of mathematics as an essential tool of our culture has led to a major delay in the use of instruments that mathematicians have used for decades. A case in point is topology, the science of transformations, the science of invariants. Its relatively recent discovery by architects has led to a remarkable transformation of the art of conceiving and building space. A notorious cultural leap has led to construction using techniques and material that allow realizing transformation, rendering it almost continuous, a sort of contradiction between the finished construction and its deformation. The so called fluid topological architecture is the final result of a set of new ideas of space. New topological ideas are used in art, and has been materialized in recent buildings in towns all around the world, such as the Guggenheim Museum in Bilbao, the National Library in Astana, the Moebius Bridge in Bristol, the MAXXI museum in Rome, the Max Reinhardt Haus of Eisemann, the Moebius House of Van Berkel. I will illustrate this story using various examples from the topological gold jewels in pre-Colombian culture in South America to the new development in modern cities. I conclude with a reflection on the ethical and artistic aspects of this new topological public architecture.
How to Cite
Michele, Emmer. 2013. “Topology from Art and Math to Contemporary Cities”. AusArt 1 (1-2). https://doi.org/10.1387/ausart.10379.
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Keywords
MATHEMATICS, ARCHITECTURE, CONTEMPORARY, TOPOLOGY
References
Burry, Jane & Mark Burry. 2010. The new mathematics of architecture. London: Thames and Hudson
Burry, Mark. 2007. “Gaudì innovator”. In Mathematics and Culture IV, Michele Emmer, ed., 143-67. Berlin: Springer
Burry, Mark. 2015. “New mathematics and architecture”. In Imagine Math 3: Between culture and mathematics, Michele Emmer, ed. Berlin: Springer
Dalrymple, Henderson Linda. 2013. The fourth dimension and non-euclidean geometry in modern art. Boston MA: MIT
Di Cristina, Giuseppa, ed. 2001. Architecture and science AD. Chichester UK: Wiley Academy
Di Cristina, Giuseppa. 1998. Architettura e topología: Per una teoria spaziale dell’architettura. Roma: Dedalo
Di Cristina, Giuseppa. 2007. “Architecture as topological transformation”. In Mathematics and Culture V, Michelle Emmer, ed., 127-39. Berlin: Springer
Emmer, Michele. 2004. Mathland: From flatland to hypersurfaces. Foreword by Antonino Saggio. Boston MA: Birkhauser
Emmer, Michele. 2006. Visibili armonie: Arte, cinema teatro e matemática. Torino: Bollati Boringhieri
Emmer, Michele. 2010. “The Idea of space in art, technology and mathematics”. In Applications of mathematics in models, artificial neural networks and arts, V. Capecchi, M. Buscema, P. Contucci & B. D'Amore, eds., 505-18. Berlin: Springer
Emmer, Michele. 2011. “Architettura topologica fluida”. In La matemática. a cura di Claudio Bartocci & Piergiorgio Odifreddi, 469-87. Torino: Giulio Einaudi
Emmer, Michele. 2011. “Visual harmonies: An exhibition on art and math”. In Imagine math, Michele Emmer, ed., 117-22. Berlin: Springer
Emmer, Michele. 2013. “Visible harmonies: Mathematical models”. Imagine Math 3: 43-68
Forster, Kurt W. 2004. “Architettura ombre riflessi”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 9-10. Venezia: Marsilio-La Biennale di Venezia
Hadid, Zaha & Patrik Schumacher. 2008. “Lotus”. In Out there: Architecture beyond building, 11a Mostra Internazionale di Architettura, curator, Aaron Betsky, 90-5. Marsilio-La Biennale di Venezia
Imperiale, Alicia. 2001. New Flatness: Surface tension in digital architecture. Boston MA: Birkhauser
Imperiale, Alicia. 2001. Nuove bidimensionalità: tensioni superficiali nell'architettura digitale. Torin: Testo & Immagine
Kemp, Martin. 2004. “Intuizioni strutturali e pensiero metamorfico nell’arte, architettura e scienze”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 31-43. Venezia: Marsilio-La Biennale di Venezia
Poincaré, Jules Henri. 1902. La science et l’hypothèse. Paris: Flammarion
Rashid, Hani. 2004. “Morphing il sublime”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 70-81. Venezia: Marsilio-La Biennale di Venezia
Rashid, L.A. Couture. 2004. “Asymptote, l’architettura di metamorph”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 8-13. Venezia: Marsilio-La Biennale di Venezia
Burry, Mark. 2007. “Gaudì innovator”. In Mathematics and Culture IV, Michele Emmer, ed., 143-67. Berlin: Springer
Burry, Mark. 2015. “New mathematics and architecture”. In Imagine Math 3: Between culture and mathematics, Michele Emmer, ed. Berlin: Springer
Dalrymple, Henderson Linda. 2013. The fourth dimension and non-euclidean geometry in modern art. Boston MA: MIT
Di Cristina, Giuseppa, ed. 2001. Architecture and science AD. Chichester UK: Wiley Academy
Di Cristina, Giuseppa. 1998. Architettura e topología: Per una teoria spaziale dell’architettura. Roma: Dedalo
Di Cristina, Giuseppa. 2007. “Architecture as topological transformation”. In Mathematics and Culture V, Michelle Emmer, ed., 127-39. Berlin: Springer
Emmer, Michele. 2004. Mathland: From flatland to hypersurfaces. Foreword by Antonino Saggio. Boston MA: Birkhauser
Emmer, Michele. 2006. Visibili armonie: Arte, cinema teatro e matemática. Torino: Bollati Boringhieri
Emmer, Michele. 2010. “The Idea of space in art, technology and mathematics”. In Applications of mathematics in models, artificial neural networks and arts, V. Capecchi, M. Buscema, P. Contucci & B. D'Amore, eds., 505-18. Berlin: Springer
Emmer, Michele. 2011. “Architettura topologica fluida”. In La matemática. a cura di Claudio Bartocci & Piergiorgio Odifreddi, 469-87. Torino: Giulio Einaudi
Emmer, Michele. 2011. “Visual harmonies: An exhibition on art and math”. In Imagine math, Michele Emmer, ed., 117-22. Berlin: Springer
Emmer, Michele. 2013. “Visible harmonies: Mathematical models”. Imagine Math 3: 43-68
Forster, Kurt W. 2004. “Architettura ombre riflessi”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 9-10. Venezia: Marsilio-La Biennale di Venezia
Hadid, Zaha & Patrik Schumacher. 2008. “Lotus”. In Out there: Architecture beyond building, 11a Mostra Internazionale di Architettura, curator, Aaron Betsky, 90-5. Marsilio-La Biennale di Venezia
Imperiale, Alicia. 2001. New Flatness: Surface tension in digital architecture. Boston MA: Birkhauser
Imperiale, Alicia. 2001. Nuove bidimensionalità: tensioni superficiali nell'architettura digitale. Torin: Testo & Immagine
Kemp, Martin. 2004. “Intuizioni strutturali e pensiero metamorfico nell’arte, architettura e scienze”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 31-43. Venezia: Marsilio-La Biennale di Venezia
Poincaré, Jules Henri. 1902. La science et l’hypothèse. Paris: Flammarion
Rashid, Hani. 2004. “Morphing il sublime”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 70-81. Venezia: Marsilio-La Biennale di Venezia
Rashid, L.A. Couture. 2004. “Asymptote, l’architettura di metamorph”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 8-13. Venezia: Marsilio-La Biennale di Venezia
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Articles

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