Topology from Art and Math to contemporary cities

##plugins.themes.bootstrap3.article.main##

##plugins.themes.bootstrap3.article.sidebar##

Published 2013-11-07
Emmer Michele

Abstract

Mathematics is not a mere tool of kitchen recipes, but has contributed to, if not determined, our way of conceiving space on Earth and even in the Universe. A lack of awareness of mathematics as an essential tool of our culture has led to a major delay in the use of instruments that mathematicians have used for decades. A case in point is topology, the science of transformations, the science of invariants. Its relatively recent discovery by architects has led to a remarkable transformation of the art of conceiving and building space. A notorious cultural leap has led to construction using techniques and material that allow realizing transformation, rendering it almost continuous, a sort of contradiction between the finished construction and its deformation. The so called fluid topological architecture is the final result of a set of new ideas of space. New topological ideas are used in art, and has been materialized in recent buildings in towns all around the world, such as the Guggenheim Museum in Bilbao, the National Library in Astana, the Moebius Bridge in Bristol, the MAXXI museum in Rome, the Max Reinhardt Haus of Eisemann, the Moebius House of Van Berkel. I will illustrate this story using various examples from the topological gold jewels in pre-Colombian culture in South America to the new development in modern cities. I conclude with a reflection on the ethical and artistic aspects of this new topological public architecture.

How to Cite

Michele, Emmer. 2013. “Topology from Art and Math to Contemporary Cities”. AusArt 1 (1-2). https://doi.org/10.1387/ausart.10379.
Abstract 532 | PDF Downloads 1904

##plugins.themes.bootstrap3.article.details##

Keywords

MATHEMATICS, ARCHITECTURE, CONTEMPORARY, TOPOLOGY

References
Burry, Jane & Mark Burry. 2010. The new mathematics of architecture. London: Thames and Hudson

Burry, Mark. 2007. “Gaudì innovator”. In Mathematics and Culture IV, Michele Emmer, ed., 143-67. Berlin: Springer

Burry, Mark. 2015. “New mathematics and architecture”. In Imagine Math 3: Between culture and mathematics, Michele Emmer, ed. Berlin: Springer

Dalrymple, Henderson Linda. 2013. The fourth dimension and non-euclidean geometry in modern art. Boston MA: MIT

Di Cristina, Giuseppa, ed. 2001. Architecture and science AD. Chichester UK: Wiley Academy

Di Cristina, Giuseppa. 1998. Architettura e topología: Per una teoria spaziale dell’architettura. Roma: Dedalo

Di Cristina, Giuseppa. 2007. “Architecture as topological transformation”. In Mathematics and Culture V, Michelle Emmer, ed., 127-39. Berlin: Springer

Emmer, Michele. 2004. Mathland: From flatland to hypersurfaces. Foreword by Antonino Saggio. Boston MA: Birkhauser

Emmer, Michele. 2006. Visibili armonie: Arte, cinema teatro e matemática. Torino: Bollati Boringhieri

Emmer, Michele. 2010. “The Idea of space in art, technology and mathematics”. In Applications of mathematics in models, artificial neural networks and arts, V. Capecchi, M. Buscema, P. Contucci & B. D'Amore, eds., 505-18. Berlin: Springer

Emmer, Michele. 2011. “Architettura topologica fluida”. In La matemática. a cura di Claudio Bartocci & Piergiorgio Odifreddi, 469-87. Torino: Giulio Einaudi

Emmer, Michele. 2011. “Visual harmonies: An exhibition on art and math”. In Imagine math, Michele Emmer, ed., 117-22. Berlin: Springer

Emmer, Michele. 2013. “Visible harmonies: Mathematical models”. Imagine Math 3: 43-68

Forster, Kurt W. 2004. “Architettura ombre riflessi”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 9-10. Venezia: Marsilio-La Biennale di Venezia

Hadid, Zaha & Patrik Schumacher. 2008. “Lotus”. In Out there: Architecture beyond building, 11a Mostra Internazionale di Architettura, curator, Aaron Betsky, 90-5. Marsilio-La Biennale di Venezia

Imperiale, Alicia. 2001. New Flatness: Surface tension in digital architecture. Boston MA: Birkhauser

Imperiale, Alicia. 2001. Nuove bidimensionalità: tensioni superficiali nell'architettura digitale. Torin: Testo & Immagine

Kemp, Martin. 2004. “Intuizioni strutturali e pensiero metamorfico nell’arte, architettura e scienze”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 31-43. Venezia: Marsilio-La Biennale di Venezia

Poincaré, Jules Henri. 1902. La science et l’hypothèse. Paris: Flammarion

Rashid, Hani. 2004. “Morphing il sublime”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 70-81. Venezia: Marsilio-La Biennale di Venezia

Rashid, L.A. Couture. 2004. “Asymptote, l’architettura di metamorph”. In Metamorph: 9. International Architecture Exhibition, K.W. Forster, ed., 8-13. Venezia: Marsilio-La Biennale di Venezia
Section
Articles