A community pedagogical experience of analysis of repertoire of contemporary dance From theory to practice and vice versa

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Published 2015-07-13
Carmen Gimenez Morte Cristina García Chova Ana Rosa Manzaneda Serrán Raúl Marco Puchol Estefanía Narbón Cervera Belén Pérez Pizcueta

Abstract

This article reveals an educational experience, which included students in their third year of studies specializing in Choreography and Interpretation of Contemporary Dance, held in the center CSDV. This investigation was based and led by their teacher of Analysis and Practice of Choreographic Works and Repertoire of Motion Encoding. This task was completed within a context of a learning community and a mixed methodology of assembly and participant observation. During the analysis of coding a dance piece with the software E-Lan, the team began to create three different graphs which represented scores of movement. These scores were evaluated and put in action by other students which were unfamiliar with the established cataloging. The conclusion of the results achieved is that the score is considered as a new method of choreographic composition and improvisation.

How to Cite

Gimenez Morte, Carmen, Cristina García Chova, Ana Rosa Manzaneda Serrán, Raúl Marco Puchol, Estefanía Narbón Cervera, and Belén Pérez Pizcueta. 2015. “A Community Pedagogical Experience of Analysis of Repertoire of Contemporary Dance: From Theory to Practice and Vice Versa”. AusArt 3 (1). https://doi.org/10.1387/ausart.14388.
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Keywords

EDUCATION AND TRAINING IN DANCE, REPERTOIRE ANALYSIS, LEARNING COMMUNITY, MOTION SCORE, DANCE AND ARTISTIC CREATION

References
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Articles