Projectual tools in the work of Anne Teresa De Keersmaeker Choreographic project and architectural project; Parallelisms
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Published
2015-07-13
Marta Llorente Pascual
Abstract
This essay attempts to establish a theoretical relationship between the choreographic project and the architectural project, pointing out similarities when creating in both disciplines. Through the choreographic analysis of several pieces of Anne Teresa De Keersmaeker´s work, certain design tools will be defined as fundamental elements of her artistic creation. Concepts such as "drawing", "structure", "repetition" and "rhythm", that constitute choreographic strategies and are also used in the architectonical context. Therefore new connections between both fields are suggested. In short, it refers to conceptual parallelisms that can be very useful when creating or understanding one discipline or the other and they help us interpreting the works.
How to Cite
Llorente Pascual, Marta. 2015. “Projectual Tools in the Work of Anne Teresa De Keersmaeker: Choreographic Project and Architectural Project; Parallelisms”. AusArt 3 (1). https://doi.org/10.1387/ausart.14534.
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Keywords
DE KEERSMAEKER, ANNE TERESA, DESIGN TOOLS, CHOREOGRAPHIC PROJECT, ARCHITECTURAL PROJECT, SIMILARITIES, ARTISTIC CREATION
References
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Aalto, Alvar. 2010. Conversaciones con Alvar Aalto. Juhani Pallasmaa, ed. Barcelona: Gustavo Gili
Adolphe, Jean-Marc et al. 2002. "Rosas: Anne Teresa de Keersmaeker". Bruselles: La Renaissance du Libre
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Bauer, Bojana, Bojana Cvejic & Rudi Laermans. 2011. Hear my Voice: Three essays on Keeping Still, The Song and 3Abschied by Anne Teresa De Keersmaeker, Ann Veronica Janssens, Michel François and Jérôme Bel. Brussel: Rosas
Campo Baeza, Alberto. 2010. Pensar con las manos. Buenos Aires: Nobuko
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Cvejić, Bojana, ed. 2015. Anne Teresa de Keersmaeker: Work/Travail/Arbeid. Brussels: Mercatorfonds
Cvejić, Bojana, Plouvier Jean-Luc & Gérard Grisey. 2013. Vortex Temporum. Brussel: Rosas
De Jong, Klaas J. et al. 2012. Music, Space and Architecture. Amsterdam: Architectura & Natura
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2012. Carnets d'une chorégraphe: Fase, Rosas danst Rosas, Elena's Aria, Bartók. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2013. En Atendant & Cesena: A choreographer's score. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2014. Drumming & Rain: A choreographer's score. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Guy Gypens. 2007. Fase, Four movements to the music of Steve Reich: 1982-2007. Vorst, Belgium: Rosas
Deleuze, Gilles. 1984. Francis Bacon: Lógica de la sensación. Traducción de Isidro Herrera. Madrid: Arena Libros
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Flegi, Karl, 1996. Alvar Aalto. Barcelona: Gustavo Gili
Gros, Frédéric. 2015. A philosophy of walking. London: Verso
Guisgand, Philippe. 2007. Les fils d'un entrelacs sans fin: La danse dans l'oeuvre d'Anne Teresa De Keersmaeker. Villeneuve d'Ascq: Septentrion
Guisgand, Philippe. 2008. Anne Teresa de Keersmaeker. Palermo: L´Epos
Holquist, Michael. 1990. Dialogism: Bakhtin and his world. New York: Routledge
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Jaraíz Pérez, José. 2013. Sanaa: Espacios límites y jerarquías. Buenos Aires: Diseño
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Kästner, Irmela & Tina Ruisinger. 2007. Meg Stuart, Anne Teresa de Keersmaeker. München: K. Kieser
Kernay, Richard, 1994. Modern movements in European Philosophy. Manchester: Manchester University
Kloos, Maarten et al. 2012. Music, Space and Architecture. Amsterdam: Amsterdam Academy of Architecture
Laban, Rudolf. 1966. Choreutics. London: Macdonald and Evans
Moreno García-Mansilla, Luis, Luis Rojo de Castro y Emilio Tuñón Álvarez. 2005. Escritos circenses. Barcelona: Gustavo Gili
Muñoz Jiménez, María Teresa y Juan Antonio Cortés Vázquez de Parga. 1981. "La repetición en la arquitectura moderna/2". Arquitectura (COAM): 230
Owens, Craig. 1981. "The pro-scenic event". Art in America (December): 128-33
Owens, Craig. 1994. Beyond recognition: Representation, power, and culture. Berkeley: University of California Press
Pallasmaa, Juhani. 2012. La mano que piensa: Sabiduría existencial y corporal en la arquitectura. Traducción de Moisés Puente. Barcelona: Gustavo Gili
Performing Arts Research and Training Studios. 2006. PARTS: Documenting ten years of contemporary dance education. Brussel: PARTS
Ramsay, Burt. 2006. Judson Dance Theater: Performative traces. New York: Routledge
Ross, Alex. 2009. El ruido eterno: Escuchar al siglo XX a través de su música. Traducción del inglés por Luis Gago. Barcelona: Seix Barral
Rushdie, Salman. 1991. "Is nothing sacred?" En Imaginary homelands: Essays and criticism 1981-1991. London: Granta
Tufte, Edward R. 2010. "Visual explanations: Images and quantities, evidence and narrative. Cheshire, CT: Graphics
Aalto, Alvar. 2010. Conversaciones con Alvar Aalto. Juhani Pallasmaa, ed. Barcelona: Gustavo Gili
Adolphe, Jean-Marc et al. 2002. "Rosas: Anne Teresa de Keersmaeker". Bruselles: La Renaissance du Libre
Bakjin, Mikhail Mikhailovich. 1981. The dialogic imagination: Four essays by M.M. Bakhtin. Austin: University of Texas
Bakjin, Mikhail Mikhailovich. 1989. "Las formas del tiempo y del cronotopo en la novela: Ensayos sobre poética histórica". Pp. 207-409 en Teoría y estética de la novela: Trabajos de investigación, trad. de Helena S. Kriúkova y Vicente Cazcarra. Madrid, Taurus
Bauer, Bojana, Bojana Cvejic & Rudi Laermans. 2011. Hear my Voice: Three essays on Keeping Still, The Song and 3Abschied by Anne Teresa De Keersmaeker, Ann Veronica Janssens, Michel François and Jérôme Bel. Brussel: Rosas
Campo Baeza, Alberto. 2010. Pensar con las manos. Buenos Aires: Nobuko
Corin, Florence et al. 2000. "Danse et Architecture". Número especial. Nouvelles de Danse 42/43. Bruxelles: Contradanse
Cvejić, Bojana, ed. 2015. Anne Teresa de Keersmaeker: Work/Travail/Arbeid. Brussels: Mercatorfonds
Cvejić, Bojana, Plouvier Jean-Luc & Gérard Grisey. 2013. Vortex Temporum. Brussel: Rosas
De Jong, Klaas J. et al. 2012. Music, Space and Architecture. Amsterdam: Architectura & Natura
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2012. Carnets d'une chorégraphe: Fase, Rosas danst Rosas, Elena's Aria, Bartók. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2013. En Atendant & Cesena: A choreographer's score. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Bojana Cvejić. 2014. Drumming & Rain: A choreographer's score. Bruxelles: Fonds Mercator
De Keersmaeker, Anne Teresa & Guy Gypens. 2007. Fase, Four movements to the music of Steve Reich: 1982-2007. Vorst, Belgium: Rosas
Deleuze, Gilles. 1984. Francis Bacon: Lógica de la sensación. Traducción de Isidro Herrera. Madrid: Arena Libros
Deleuze, Gilles. 1994. Difference and repetition. Translated by Paul Patton. New York: Columbia University
Flegi, Karl, 1996. Alvar Aalto. Barcelona: Gustavo Gili
Gros, Frédéric. 2015. A philosophy of walking. London: Verso
Guisgand, Philippe. 2007. Les fils d'un entrelacs sans fin: La danse dans l'oeuvre d'Anne Teresa De Keersmaeker. Villeneuve d'Ascq: Septentrion
Guisgand, Philippe. 2008. Anne Teresa de Keersmaeker. Palermo: L´Epos
Holquist, Michael. 1990. Dialogism: Bakhtin and his world. New York: Routledge
Ito, Toyo. 1992. "Vórtice y corriente: Sobre la arquitectura como fenómeno". AD 62(9/10)
Jaraíz Pérez, José. 2013. Sanaa: Espacios límites y jerarquías. Buenos Aires: Diseño
Kant, Immanuel. (1781) 2011. Crítica de la razón pura. Tecnos: Madrid
Kästner, Irmela & Tina Ruisinger. 2007. Meg Stuart, Anne Teresa de Keersmaeker. München: K. Kieser
Kernay, Richard, 1994. Modern movements in European Philosophy. Manchester: Manchester University
Kloos, Maarten et al. 2012. Music, Space and Architecture. Amsterdam: Amsterdam Academy of Architecture
Laban, Rudolf. 1966. Choreutics. London: Macdonald and Evans
Moreno García-Mansilla, Luis, Luis Rojo de Castro y Emilio Tuñón Álvarez. 2005. Escritos circenses. Barcelona: Gustavo Gili
Muñoz Jiménez, María Teresa y Juan Antonio Cortés Vázquez de Parga. 1981. "La repetición en la arquitectura moderna/2". Arquitectura (COAM): 230
Owens, Craig. 1981. "The pro-scenic event". Art in America (December): 128-33
Owens, Craig. 1994. Beyond recognition: Representation, power, and culture. Berkeley: University of California Press
Pallasmaa, Juhani. 2012. La mano que piensa: Sabiduría existencial y corporal en la arquitectura. Traducción de Moisés Puente. Barcelona: Gustavo Gili
Performing Arts Research and Training Studios. 2006. PARTS: Documenting ten years of contemporary dance education. Brussel: PARTS
Ramsay, Burt. 2006. Judson Dance Theater: Performative traces. New York: Routledge
Ross, Alex. 2009. El ruido eterno: Escuchar al siglo XX a través de su música. Traducción del inglés por Luis Gago. Barcelona: Seix Barral
Rushdie, Salman. 1991. "Is nothing sacred?" En Imaginary homelands: Essays and criticism 1981-1991. London: Granta
Tufte, Edward R. 2010. "Visual explanations: Images and quantities, evidence and narrative. Cheshire, CT: Graphics
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