Hacking the system / Open access

Abstract

Coding, normativity, heteronomous semiotics, pathologization / integration, commercialization... These are some of the characteristics / problems ('bugs' or errors to hack with our 'exploits') of the current art system, a human space that due to its special characteristics should be configured as dynamic 'no place' and also as a 'liquid' space where the elements, people and works were unexpected and even unintelligible practices. All real dialogue (which is inscribed in the very essence of art as 'Academy' where practicing the 'synethesis' among equals) is buried by the orthodoxy of the internal discourse of the artwork. As a hacker of the art system, I have carried out an action in semiotic, symbolic, linguistic, operative and economic terms. This is an inversion of the artifact/device 'book' ending the centrality of the text in the space of knowledge / power system of art. Eliminating all textuality not only concerns the geomentale patterns of thought (from left to right from top to bottom, in the West), but it is a cluster bomb to the empowerment of the text on the artwork. Opening thus the possibility of a free analysis of the work (and context) of art explicit agreement of mutual respect between user and work thus establishing an open model of cooperation. At the same time, rights of dissemination and distribution of rights holders have been ignored and a 'pirated publication' has been made, but in high quality. In the same way, another of the bugs to be exploited has been the transversality and multidimensionality of the works included in the publication, since although it is an 'artistic' narrative, it is full of marginal elements that are alien to the subject of art (advertising, science, leisure masses…).