Experimental video and creative processes with artificial intelligence Some works by Ben Bogart
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Published
2024-01-31
Regilene Sarzi-Ribeiro
Ana Sedeño-Valdellós
https://orcid.org/0000-0001-6267-6549
Ana Sedeño-Valdellós
Abstract
Artificial intelligence (AI) has revolutionized many social and human spheres, but audiovisual creation is a central aspect in the reflection on its potential. The work focuses on some transformations that the creative process undergoes in video art or experimental video, through some works, with which one can reflect on the aesthetic dimensions, temporality, the relationship between sound and image and the ephemeral constitution of audiovisuality. The paper carries out an exploratory study on the topic with a qualitative research methodology, for the interpretation and discussion of the works-examples of the author Ben Bogart. Final considerations point out that AI includes artistic operations related to previous avant-garde media art, such as collage or appropriation. All of these tools carry numerous ethical implications and positions of the artist, as well as possibilities to subvert creative logics.
How to Cite
Sarzi-Ribeiro, Regilene, and Ana Sedeño-Valdellós. 2024. “Experimental Video and Creative Processes With Artificial Intelligence: Some Works by Ben Bogart”. AusArt 12 (1). https://doi.org/10.1387/ausart.25813.
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Keywords
EXPERIMENTAL VIDEO, GENERATIVE ARTIFICIAL INTELLIGENCE, VIDEART, CREATION IN VIDEO, BOGART, BEN (BENJAMIN DAVID ROBERT)
References
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Sarzi-Ribeiro, Regilene Aparecida & Cleomar de Sousa Rocha. 2022. «La performatividad videográfica y la ocupación del espacio en línea: Outros Art Festival». En V Congreso Internacional de Investigación em Artes Visuales ANIAV 2022, 475-479. València: Universitat Politècnica de València. https://doi.org/10.4995/ANIAV2022.2022.15256
Sarzi-Ribero, Regilene Aparecida & Marcelo Bressanin. 2023. «Inteligência artificial, arte e tecnologia: Visualidades, audiovisualidade e sonoridades». En Inteligência artificial e suas aplicações interdisciplinares, João Pedro Albino & Vânia Cristina Pires Nogueira Valente, 157-177. Rio de Janeiro: E-Publicar. https://doi.org/10.47402/ed.ep.c2023210310201
Avdeeff, Melissa. 2019. «Artificial intelligence & popular music: SKYGGE, flow machines, and de audio uncanny valley». Arts 8(4): 1-13. https://doi.org/10.3390/arts8040130
Bernaschina Cuadra, Diego. 2023. «Artes mediales e inteligencia artificial: la crisis de la ética y la precariedad laboral en el campo artístico-digital». Avenir 7(1): 10–25. https://fundacionavenir.com.co/avenir/index.php/revista/article/view/89
Bogart, Benjamin David Robert. 2008.«Memory association machine: An account of the realization and interpretation of an autonomous responsive site-specific artwork». Tesis Simon Fraser University. https://summit.sfu.ca/item/8969
Davenport, Thomas H. & Nitin Mittal. 2022. «How generative AI is changing creative work». Harvard Business Review, 14 Nov. https://is.gd/by7hQt
Derrida, Jacques. (1995) 2011. Mal de arquivo: Uma impressão freudiana. Tradução, Claudia de Moraes. Rio de Janeiro: Releume Dumará
Du, Wenda & Quing Han. 2021. «Research on application of artificial intelligence in movie industry». Fourth International Conference on Image, Video Processing, and Artificial Intelligence (IVPAI 2021) Shanghai, China. SPIE Digital Library. https://doi.org/10.1117/12.2619500
Farchy, Joelle & Juliette Denis. 2020. «Artificial intelligence and cultural creation». En Teaching Cultural economics, Trine Bille, Ann Mignosa & Ruth Towse, eds., 198-203. Cheltenham: Edward Elgar. https://doi.org/10.4337/9781788970747
Franganillo Fernández, Jorge. 2023. «La inteligencia artificial generativa y su impacto en la creación de contenidos mediáticos». Methaodos 11(2): m231102a10. http://dx.doi.org/10.17502/mrcs.v11i2.710
Gómez-Gómez, Hernando & Jose Luis Rubio-Tamayo. 2023. «Algoritmografía, hito y fenómeno en la producción de imágenes fijas en la era digital». Visual Review 10(3): 1-13. https://doi.org/10.37467/revvisual.v10.4607
Grear, Anna & David Bollier. 2020. The great awakening: New modes of life amidst capitalist ruins. Contributors Sam Adelman et al. Santa Barbara CA: Punctum Books
Han, Byung-Chul. 2022. Infocracia: Digitalização e a crise da democracia. Tradução de Gabriel S. Philipson. Petrópolis RJ: Vozes
Hunter-Tilney, Ludovic. 2023. «AI in the music industry». Financial Times, 20 jul. https://www.ft.com/content/2c1c2016-69b7-48aa-b333-4c1380bb9102
Kaufman, Dora. 2022. Desmistificando a inteligência artificial. Belo Horizonte: Autêntica
López Delacruz, Santiago. 2023. «Un vínculo paradójico: Narrativas audiovisuales generadas por inteligencia artificial; Entre el pastiche y la cancelación del futuro». Hipertext.net. 26: 31-35. https://doi.org/10.31009/hipertext.net.2023.i26.05
Manovich, Lev. (2001) 2005. El lenguaje de los nuevos medios de comunicación. Traducción de Oscar Fontrodona. Barcelona: Paidós
Mateo Martín, Concha & Ana María Sedeño Valdellós. 2018. «Videoartivismo: Poética del conflicto simbólico [Video artivism: The poetics of symbolic conflict]». Comunicar 57(26): 49-58. https://doi.org/10.3916/C57-2018-05
Rodríguez Reséndiz, Perla Olivia. 2020. Inteligencia artificial y datos masivos en archivos digitales sonoros y audiovisuales. Ciudad de México: UNAM. http://ru.iibi.unam.mx/jspui/handle/IIBI_UNAM/88
Sarzi-Ribeiro, Regilene Aparecida & Cleomar de Sousa Rocha. 2022. «La performatividad videográfica y la ocupación del espacio en línea: Outros Art Festival». En V Congreso Internacional de Investigación em Artes Visuales ANIAV 2022, 475-479. València: Universitat Politècnica de València. https://doi.org/10.4995/ANIAV2022.2022.15256
Sarzi-Ribero, Regilene Aparecida & Marcelo Bressanin. 2023. «Inteligência artificial, arte e tecnologia: Visualidades, audiovisualidade e sonoridades». En Inteligência artificial e suas aplicações interdisciplinares, João Pedro Albino & Vânia Cristina Pires Nogueira Valente, 157-177. Rio de Janeiro: E-Publicar. https://doi.org/10.47402/ed.ep.c2023210310201
Section
Articles
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