Nuestra inconsciente y equivocada manera de contemplar el arte paleolítico
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Abstract
The autor describes some iteratives behaviors of the international community studing the paleolithic art that considers mistaken. For example, the persistence in proposing new hypothesis to explain the meaning gives of the art althougt they cannot be contrasted. Also to develop new investigations according to methods that have been annulled by the critic. Or in using the argument of "authority" to certify the authenticity of the certains figures of the paleolithic art.The autor says that the described behaviors cannot changed by the will of the individuals baut the unconscious mechanismes of the human collective.
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