The seated scribe Free improvised active listening in music

##plugins.themes.bootstrap3.article.main##

##plugins.themes.bootstrap3.article.sidebar##

Published 2016-02-25
Jon Mantzisidor Uria

Abstract

This essay deals with the importance of active listening in music and; in particular; in free improvisation. Improvisation takes place before an audience; so that its creation and its exhibition occur simultaneously. The fact of listening is especially important within this music style; listening to other musicians but also listening to all the sounds inscribed in the room. This research focuses on a particular concert that took place in 2009 and that was played by two great improvisers: Keith Rowe and Mattin. In that concert Mattin took the well known "active listening" of free improvisation to an extreme; producing no sounds during the length of the concert and being; instead; sitting in silence; just listening.

How to Cite

Mantzisidor Uria, Jon. 2016. “The Seated Scribe: Free Improvised Active Listening in Music”. AusArt 3 (2). https://doi.org/10.1387/ausart.15932.
Abstract 399 | PDF (Euskara) Downloads 457

##plugins.themes.bootstrap3.article.details##

Keywords

LISTENING, HEARING, MUSIC, ACTIVE LISTENER, FREE IMPROVISATION

References
Frith, Fred. 2012. "Fred Frith: Lo más difícil en la música es no hacer nada". Chema García Martínezek eginiko elkarhizketa. El País, 28 enero, http://cultura.elpais.com/cultura/2012/01/28/actualidad/1327751527_604350.html

Lertxundi Esnal, Anjel. 2012. "Eransten". Berria, Uztailak 24, http://www.berria.eus/paperekoa/1537/005/001/2012-07-27/eransten.htm

López Gómez, Francisco. 1998. "Environmental sound matter". En La Selva, Sound environments from a Neotropical rain forest, CD 2

Mattin [Mattin Artiach Oraa]. 2009. "Reply to Keith" [Otsailak 11, Abjectmusic izenordearekin]. I hate music / "Keith Rowe & Mattin October 2009 A Coruña" [eztabaida-foro gaia]. Azken sarbidea 2014ko martxoak 14, http://ihatemusic.noquam.com/viewtopic.php?f=3&t=5184&start=80

Merleau-Ponty, Maurice. 1970. Lo visible y lo invisible ; seguido de Notas de trabajo. Barcelona: Seix Barral

Nancy, Jean Luc. 2007. A la escucha. Itzulpena, Horacio Pons. Buenos Aires: Amorrortu

Pardo, José Luis. 2000. "Bartleby o De la humanidad". En Preferiría no hacerlo :Bartleby el escribiente de Herman Melville ; seguido de tres ensayos sobre Bartleby de Gilles Deleuze, Giorgio Agamben, José Luis Pardo. Valencia: PreTextos

Reich, Steve. 1968. "Music as a Gradual Process" [Manifesto]. http://ccnmtl.columbia.edu/draft/ben/feld/mod1/readings/reich.html

Silverman, Kaja .2001. "The author as receiver". October 96 (Spring). Cambridge, MA: MIT
Section
Articles