The Hertzian space Common site [place] for art and contemporary architecture in the informational city
##plugins.themes.bootstrap3.article.main##
##plugins.themes.bootstrap3.article.sidebar##
Abstract
The present work develops the idea that art and architecture converge when we speak of the Hertzian space in the contemporary city. A hybrid space that interacts with the physical and virtual, influenced by the inclusion of digital and wireless information and communication technologies. This becomes a site, a common place of action for both disciplines. A new [Hertzian] space that is more thoughtful, intelligent, adaptive, in which more and more questions arise about its operation, its contours and influences, about the dangers of being hyperconnected, or about who controls the data flows. In recent years, both art and architecture have tried to answer them with interventions and performances with similar characteristics and results, where the boundaries between disciplines are blurred.
How to Cite
##plugins.themes.bootstrap3.article.details##
HERTZIAN SPACE, INFORMATIONAL CITY, SITE, DEMATERIALIZATION, DISEMBODIMENT
Bullivant, Lucy, ed. 2007. 4dsocial: Interactive design environments. London: Wiley
Dunne, Anthony & Fiona Raby. 2001. Design noir: The secret life of electronic objects. Basel: Birkhauser
Dunne, Anthony. 2005. Hertzian tales: Electronic products, aesthetic experience and critical design. Cambridge MA: MIT
Hesselgren, Sven. 1973. El lenguaje de la arquitectura. Traducida por Miguel E. Hall; revisión ténica Rubén Massera. Buenos Aires: Eudeba
Igés Lebrancón, José. 1997. “La ciudad resonante”. Monográfico “Las ciudades inasibles”, Fisuras de la Cultura Contemporánea 5
Krauss, Rosalind. 1979. “Sculpture in the expanded field”. October 8. https://doi.org/10.2307/778224
Krauss, Rosalind. (1985) 2015. La originalidad de la vanguardia y otros mitos modernos. Versión española de Adolfo Gómez Cedillo. Madrid: Alianza
Lippard, Lucy. 2004. Seis años: La desmaterialización del objeto artístico de 1966 a 1972. Traducción, María Luz Rodríguez Olivares. Madrid: Akal
Maderuelo Raso, Javier. 1990. El espacio raptado. Prólogo de Simón Marchán. Madrid: Mondadori
Schulz-Dornburg, Julia. 2000. Arte y arquitectura: Nuevas afinidades; [Art and arquitecture: New affinities]. Traducción al castellano, Elena Llorens Pujol. Barcelona: Gustavo Gili
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- for any purpose, even commercially.