Rolling tone Music in movement

##plugins.themes.bootstrap3.article.main##

##plugins.themes.bootstrap3.article.sidebar##

Published 2021-06-30
Jon Mantzisidor Uria

Abstract

The text analyzes the use of musicians in movement, a resource that has been common in popular music, focusing on the spatialization of sound and the use of mobile sound sources. The relationship between dance and musical performance is also taken into account, as well as the relationship between walking and the generation of sound. There are analysis of the Ituren joaleak, txistularis, trikitilaris, albokaris, sharpeners, txarangas, tambourines, processions. Next, the text makes a comparison with cultured music, in which the location and parformativity of the musicians has tended towards the static. In its most recent branch, contemporary music, there are not many works where musicians get moving and travel the space, except in some isolated cases. The works of Charles Ives, Karlheinz Stockhausen, Pauline Oliveros, Llore Barber, Fredrik Rasten, and other serve the investigation to see the developments in the concepts of spatialization and sound sources in movement.

How to Cite

Mantzisidor Uria, Jon. 2021. “Rolling Tone: Music in Movement”. AusArt 9 (1). https://doi.org/10.1387/ausart.22663.
Abstract 221 | PDF (Euskara) Downloads 224 HTML (Redalyc) (Euskara) Downloads 0 XML (Redalyc) (Euskara) Downloads 0

##plugins.themes.bootstrap3.article.details##

Keywords

SPATIALIZATION, MOVEMENT, POPULAR MUSIC, CONTEMPORARY, STATICISM

References
Anderson, Elizabeth. 2012. “An interview with Annette Vande Gorne”. Computer Music Journal 36(2): 10–22. https://doi.org/10.1162/COMJ_a_00116

Barber Colomer, Llorenc. 2008. Cómo se hace un concierto de campanas. Campaners de la Catedral de València (weborria), ekainak 12. http://campaners.com/php/textos.php?text=2993

Beltran Argiñena, Juan Mari. 2009. Txalaparta. Donostia-San Sebastian: Nerea

Cardew, Cornelius. (1931) 2006. A reader: A collection of Cornelius Cardew’s published writings. Ed., Edwin Prevost. Harlow, Essex: Copula

Debord, Guy. 1981. “Perspectives for conscious alterations in everyday life”. In Situationist International anthology, edited and translated by Ken Knabb. Berkeley CA: Bureau of Public Secrects

Fischer-Lichte, Erika. (2004) 2011. Estética de lo performativo. Traducción, Diana González Martín & David Martínez Perucha; introducción, Oscar Cornago. Madrid: Abada

Friedman, Ken, Owen Smith & Lauren Sawchyn, eds. 2002. The Fluxus performance workbook. Digital supplement to Performance Research 7(3). London: Routledge Taylor & Francis

Harley, Maria. 1993. “From point to sphere: Spatial organization of sound in contemporary Music (after 1950)”. Canadian University Music Review 13: 123–44

Marclay, Christian. 1995. Amplification. Biennale di Venezia 1995. Venezia: Lars Müller

Murray-Schafer, Robert. 1977. The tuning of the world. New York: Knopf

Murray-Schafer, Robert. 2006. “I have never seen a sound”. Environmental & Architectural Phenomenology Newsletter. 17(2): 10-15. http://newsletter-phenomenology.ophen.org/pub-115438

Nyman, Michael. (1974) 2006. Música experimental: De John Cage en adelante. Traducción de Isabel Olid Báez & Oriol Ponsatí-Murlà. Girona: Documenta Universitaria

Oliveros, Pauline. 1971. Sonic meditations. Sharon, VT: Smith Publications

Parsons, Michael. 2001. “The scratch orchestra and visual arts”. Leonardo Music Journal 11: 5-11

Rasten, Fredrik. 2019. Six moving guitars. Oslo: Sofa Music. CD-ROM

Stravinsky, Igor. 1962. An autobiography. New York: Norton

Swafford, Jan. 1996. Charles Ives: A life with music. New York: Norton

Tannenbaum, Mya. 1988. Stockhausen: Entrevista sobre el genio musical. Traducido por Carlos Alonso. Madrid: Turner

Vande Gorne, Annette. 2010. “Especial JIEM 2010: Annette Vande Gorne-19/06/10”. La interpretación espacial de la música acusmática-kurtsoaren lanen zatiak (Madrilgo Reina Sofía Museoa, ekainak 26-27, JIEM Jornadas de Informática y Electrónica Musical- barruan). Ars Sonora web orria. https://www.rtve.es/alacarta/audios/ars-sonora/ars-sonora-especial-jiem-2010-annette-vande-gorne-19-06-10/804989/
Section
Articles