Hu, Guan (2020). Los 800. Película
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Published
27-10-2023
Pablo Francescutti
https://orcid.org/0000-0002-5369-2835
How to Cite
Francescutti, P. (2023). Hu, Guan (2020). Los 800. Película. Papeles De Identidad, 2023(2), papel crítico 98. https://doi.org/10.1387/pceic.24863
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References
An, N., Liu, Ch., y Zhu, H. (2015). Popular geopolitics of Chinese Nanjing massacre films: a feminist approach. Gender, Place & Culture, 23(6), 786-800.
Francescutti, P. (2019). Spielberg, Steven (2018). The Post. Película. Papeles del CEIC, 2019(1), 1-7.
Landowski, E. (1993). Ellos y nosotros: notas para una aproximación semiótica a algunas figuras de la alteridad social. Revista de Occidente, 140, 98-118.
Li, N. (2001). From Revolutionary Internationalism to Conservative Nationalism: The Chinese Military's Discourse on National Security and Identity in the Post-Mao Era. Washington: United States Instituf of Peace.
Lotman, I. (1996). La Semiosfera. Madrid: Cátedra.
Malraux, A. (1933). La Condition humaine. Paris: Gallimard.
Stallard, K. (2022). Dancing on Bones: History and Power in China, Russia and North Korea. New York: Oxford University Press.
Xiaofei, W. (2011). Movies Without Mercy: Race, War, and Images of Japanese People in American Films, 1942-1945. Journal of American-East Asian Relations, 18(1), 11-36.
Zhu, Y. (2015). Bodies in crisis: Sensuality and the cinematic reconfiguration of the spy genre in contemporary Chinese cinema. East Asian Journal of Popular Culture, 1(3), 359-376.
Filmografía
Gennina, A. (1940). El Alcázar no se rinde [película]. Italia.
Hu, G. (2020). El sacrificio [película]. China.
Hu, G. (2009). Cow [película]. China.
Hu, G. (1994). Dirt [película]. China.
Kalatozov, M. (1957). Pasaron los grullas [película]. URSS.
Kubrick, S. (1957). Senderos de Gloria [película]. EEUU.
Mak, A., y Chong, F. (2012). The Silent War [película]. China.
Stone, O. (1986). Platoon [película]. EEUU.
Sun, Z. (2009). Undercover [película]. China.
Walsh, R. (1941). Murieron con las botas puestas [película]. EEUU.
Wayne, J. (1960). El Alamo [película]. EEUU.
Francescutti, P. (2019). Spielberg, Steven (2018). The Post. Película. Papeles del CEIC, 2019(1), 1-7.
Landowski, E. (1993). Ellos y nosotros: notas para una aproximación semiótica a algunas figuras de la alteridad social. Revista de Occidente, 140, 98-118.
Li, N. (2001). From Revolutionary Internationalism to Conservative Nationalism: The Chinese Military's Discourse on National Security and Identity in the Post-Mao Era. Washington: United States Instituf of Peace.
Lotman, I. (1996). La Semiosfera. Madrid: Cátedra.
Malraux, A. (1933). La Condition humaine. Paris: Gallimard.
Stallard, K. (2022). Dancing on Bones: History and Power in China, Russia and North Korea. New York: Oxford University Press.
Xiaofei, W. (2011). Movies Without Mercy: Race, War, and Images of Japanese People in American Films, 1942-1945. Journal of American-East Asian Relations, 18(1), 11-36.
Zhu, Y. (2015). Bodies in crisis: Sensuality and the cinematic reconfiguration of the spy genre in contemporary Chinese cinema. East Asian Journal of Popular Culture, 1(3), 359-376.
Filmografía
Gennina, A. (1940). El Alcázar no se rinde [película]. Italia.
Hu, G. (2020). El sacrificio [película]. China.
Hu, G. (2009). Cow [película]. China.
Hu, G. (1994). Dirt [película]. China.
Kalatozov, M. (1957). Pasaron los grullas [película]. URSS.
Kubrick, S. (1957). Senderos de Gloria [película]. EEUU.
Mak, A., y Chong, F. (2012). The Silent War [película]. China.
Stone, O. (1986). Platoon [película]. EEUU.
Sun, Z. (2009). Undercover [película]. China.
Walsh, R. (1941). Murieron con las botas puestas [película]. EEUU.
Wayne, J. (1960). El Alamo [película]. EEUU.
Section
Critical papers
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