Cinema in contemporary art museums Presentation and communication conflict
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Published
2015-01-01
Mikel Imanol Rotaeche González de Ubieta
Abstract
Artworks on film are in the core of contemporary art practice. Despite this, their integration to museum collections has been done in quite an erratic manner. While video has been exhibited as soon after its emergence it has taken almost a century for film to acquire the status of "artwork" and to stop being considered as a document. This difference in management approach has resulted in a poor comprehension of the technical and artistic dimensions, and this misunderstanding has got, in turn, a real impact on the exhibition and conservation of this heritage. The analysis of the official vocabulary of the Spanish Ministry of Culture, the one used by the main artistic institution of the country, and a case o study it would be possible to demonstrate how important is to use a clear and specific terminology to assure the proper treatment and exhibition of this Contemporary Heritage.
How to Cite
Rotaeche González de Ubieta, Mikel Imanol. 2015. “Cinema in Contemporary Art Museums: Presentation and Communication Conflict”. AusArt 2 (2). https://doi.org/10.1387/ausart.14005.
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Keywords
FILM, MUSEOLOGY, MUSEOGRAPHY, CATALOGUE, EXHIBITION
References
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Paul, Christiane. 2008. "Challenges for a ubiquitous museum: From the white cube to the black box and beyond". In New media in the white cube and beyond: Curatorial models for digital art, Christiane Paul, ed. Berkeley CA: University of California
Rotaeche González de Ubieta, Mikel. 2011. Conservación y restauración de materiales contemporáneos y nuevas tecnologías. Madrid: Síntesis
Trinidad Lafuente, Isabel. 2013. Tesauro y Diccionario de objetos asociados a la expresión artística: Tesauro y diccionario para la descripción y catalogación de bienes culturales. Madrid: Ministerio de Educción Cultura y Deporte
Wasson, Haidee. 2005. Museum movies: The Museum of Modern Art and the birth of the art cinema. Los Ángeles CA: University of California
Yee, Martha M. 2007. Moving image cataloguing: How to create and how to use a moving image catalog. Westport, CT: Libraries Unlimited
Besser, Howard. 1987. "Digital images for museums". Museum Studies Journal 3(Fall/Winter): 74-81
Besser, Howard. 2001. "Digital preservation of moving image material". The Moving Image: The Journal of the Association of Moving Image Archivists 1
Bosco, Roberta. 2012. "Fiesta mayor en el Macba" El País, ed. Cataluña, 24 nov. http://ccaa.elpais.com/ccaa/2012/11/23/catalunya/1353709808_754640.html
Bradley, Kevin. 2006. Risks associated with the use of recordable CDs and DVDs as reliable storage media in archival collections: Strategies and alternatives. Paris: UNESCO
FIAF (Federación Internacional de Archivos Fílmicos). 2009. Recomendaciones de uso de la Comisión Técnica de la FIAF. Bruselas: FIAF
Gómez, Vanessa. 2012 "El Centro Andaluz de Arte Contemporáneo ingresa 484 obras en su colección permanente". ABC, 23 dic. http://sevilla.abc.es/20121023/cultura-arte/sevi-donaciones-centro-arte-201210231659.html
IVAM (Instituto Valenciano de Arte Moderno). 2001. La colección del IVAM. Valencia: IVAM
IVAM (Instituto Valenciano de Arte Moderno). 2006. Instalaciones y nuevos medios en la colección del IVAM: Espacio, tiempo, espectador. Valencia: IVAM
MACBA (Museu d'Art Contemporani de Barcelona). 2003. Colección MACBA. Barcelona: MACBA
Martin, Abigail Leab, ed. 2001. AMIA compendium of moving image cataloguing practice. Chicago: Association of Moving Image Archivists
Mattock, Lindsay Kistler. 2010. "From film restoration to digital emulation: The archival code of ethics in the age of digital reproduction". Journal of Information Ethics 19(1): 74-85. DOI:10.1.743172/JIE.19.1.74
Museo Guggenheim Bilbao. 2011. Memoria anual de actividades del año 2011. Bilbao: Museo Guggenheim Bilbao
Museo Patio Herreriano. 2002. Museo Patio Herreriano, arte contemporáneo español. Valladolid: Museo Patio Herreriano
Paul, Christiane. 2008. "Challenges for a ubiquitous museum: From the white cube to the black box and beyond". In New media in the white cube and beyond: Curatorial models for digital art, Christiane Paul, ed. Berkeley CA: University of California
Rotaeche González de Ubieta, Mikel. 2011. Conservación y restauración de materiales contemporáneos y nuevas tecnologías. Madrid: Síntesis
Trinidad Lafuente, Isabel. 2013. Tesauro y Diccionario de objetos asociados a la expresión artística: Tesauro y diccionario para la descripción y catalogación de bienes culturales. Madrid: Ministerio de Educción Cultura y Deporte
Wasson, Haidee. 2005. Museum movies: The Museum of Modern Art and the birth of the art cinema. Los Ángeles CA: University of California
Yee, Martha M. 2007. Moving image cataloguing: How to create and how to use a moving image catalog. Westport, CT: Libraries Unlimited
Section
Articles
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