Interpretation of Stschoukine's 'The dance' (1909-1910) by Henri Matisse A work that represents the culmination of his persevering artistic research on Dance

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Published 2015-07-13
DOI https://doi.org/10.1387/ausart.14448
Ana María Sainz Gil
Universidad del País Vasco / Euskal Herriko Unibertsitatea (UPV/EHU). Dpto. de Dibujo

Abstract

An approach to the figurative and plastic analysis of the work 'The dance' for Stschoukine (1909-1910) of 260 x 391 cm done in oil on canvas by the French artist Henri Matisse (1869-1954). The interpretation of the work will be based on an articulation model that synthesizes in one, the Gestalt and structural perspective, following the theoretical assumptions of the French semiologist Algirdas Julien Greimas. 'The dance' for Stschoukine is Henri Matisse's greatest work of persevering pictorial research, centered on the pictorial articulation of expression and content. This work supposes a turning point within the radical period of his production (1905-1916), laying the foundations of the unpublished and reflexive artistic work of the genius.

 

How to Cite

Sainz Gil, Ana María. 2015. “Interpretation of Stschoukine’s ’The dance’ (1909-1910) by Henri Matisse: A Work That Represents the Culmination of His Persevering Artistic Research on Dance”. AusArt 3 (1). https://doi.org/10.1387/ausart.14448.
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Keywords

STSCHOUKINE, SERGUEÏ (1854-1936), MATISSE, HENRI (1869-1954), DANCE, MOVEMENT, RHYTHM, GESTALT PERSPECTIVE, STRUCTURAL PERSPECTIVE

References
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Greimas, Algirdas Julien. 1991. "Semiótica figurativa y semiótica plástica". Traducido por José María Nadal con la col. técnica de Nieves Amavizca. ERA Revista Internacional de Semiótica 1(1-2): 7-38

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Issue
Vol. 3 No. 1 (2015): Dance research (I)
Section
Articles
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