Ideological Chillout Mix: Use of visuality, energy and connectivity in the applications of online music services
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Published
2016-07-12
Verónica Soria Martínez
Abstract
Because of their use of visuality, energy and connectivity, online music services can work as devices for social and ideological standardization. The applications' visuality, through photography and design interface, can be related to an emphasis on the extra-musical dimension and the moment of the user. The continuous supply of music, and its effect on human behavior, allow us to speak about the concept of energy in relation to these services. Lastly, connectivity, through social networking features included in the applications themselves, adds to these services a social dimesion, encompassing group dynamics and the use of data for market predictions. This paper describes how these three ways define how the user will receive the music that he/she listens, and therefore, make of these applications an example of interpassivity, which in turn contributes to a standardization of taste and of the horizon of possibilities for the user.
How to Cite
Soria Martínez, Verónica. 2016. “Ideological Chillout Mix: Use of Visuality, Energy and Connectivity in the Applications of Online Music Services”. AusArt 4 (1). https://doi.org/10.1387/ausart.16688.
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Keywords
HEARING, COMMODITY, CRITICAL THEORY, STANDARDIZATION, INTERNET
References
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Areni, Charles S. and David Kim. 1993. "The influence of background music on shopping behavior: classical versus top-forty music in a wine store". Advances in Consumer Research 20: 336-40
Bernasek, Anna & D.T. Mongan. 2015. "Big data is coming for your purchase history - to charge you more money". The Guardian, 29 mayo. http://www.theguardian.com/commentisfree/2015/may/29/big-data-purchase-history-charge-you-more-money
DeNora, Tia. 2000. Music and everyday life. Cambridge: Cambridge University
Elberse, Anita. 2013. Blockbusters: Hit-making, risk-taking, and the big business of entertainment. New York: Henry Holt and Co.
Guattari, Pierre-Félix. (1992) 1996. Caosmosis. Traducción, Irene Agoff. Buenos Aires: Manantial
Levitin, David. 2007. "Life soundtracks: the uses of music in everyday life: Report prepared for the exclusive use of Philips Consumer Electronics B.V., Eindhoven, The Netherlands" http://www.russballard.com/rbv7-workshop/physics/Unit%203%20Vibrations/LifeSoundtracks.pdf
Macias, Dave. 2012. "Making dollars: Clearing up Spotify payment confusion", Hypebot.com: Music, Technology, The new music business (blog), 26 noviembre. http://hypebot.com/hypebot/2012/11/clearing-up-spotify-payment-confusion.html
Morozov, Evgeny. 2013. "Is smart making us dumb?" Wall Street Journal, 23 febrero. http://www.wsj.com/articles/SB10001424127887324503204578318462215991802
Peoples, Glenn. 2015. "The digital world is flat: Streaming gains negated by CD slumps in many global markets". Billboard, 27 febrero. http://www.billboard.com/articles/business/6487413/global-music-revenue-report-2015-streaming-gains-physical-sales
Pfaller, Robert. 2003. "Backup of little gestures of disappearance: Interpassivity and the Theory of Ritual". Journal of European Psycoanalysis: Humanities, Philosophy, Psychotherapies 16 (Winter-Spring). www.psychomedia.it/jep/number16/pfaller.htm
Prévost, Edwin. 2010. "Improvisación libre en la música y capitalismo: La resistencia a la autoridad y el culto por el cientificismo y la celebridad". En Ruido y capitalismo, Mattin [Mattin Artiach Oráa] & Anthony Iles, eds., 42-63. Donostia: Arteleku Audiolab. www.arteleku.net/audiolab/ruido_capitalismo.pdf
Sanneh, Kelefa. 2013. "Blockbuster" The New Yorker, 2 diciembre www.newyorker.com/magazine/2013/12/02/blockbluster
Seabrook, John. 2014. "Spotify: Friend or foe?" The New Yorker, 24 noviembre. http://www.newyorker.com/magazine/2014/11/24/revenue-streams
Taylor, Astra. 2014. The people's platform: Taking back power and culture in the digital age. New York: Metropolitan Books
Thompson, Derek. 2014. "The Shazam effect". The Atlantic, December issue. http://www.theatlantic.com/magazine/archive/2014/12/the-shazam-effect/382237/
Whitman, Brian. 2013. "How music recommendation works — and doesn't work". Notes.variogr.am [web personal del autor]. http://notes.variogr.am/post/37675885491/howmusic-Recommendation-works-and-doesnt-work
Žižek, Slavoj. 2003. "Will you laugh for me, please". Lacam.com. http://lacan.com/zizeklaugh.htm
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