La producción de conocimiento: Algo sabido y no corregido

Abstract

The purpose of the present article is to develop an approximation to the contemporary challenges we must face from the historiographical articulation point of view. For this investigation, it is unavoidable to go back to the analysis of the production of knowledge, as a methodological process. We will start studying the term "Feminist Art" and we will continue reviewing the mechanisms, canons and legitimacy systems that construct the production of knowledge, in order to analyze the validity of these. Processes that, as the title indicates, have been investigated by numerous critics and theorists of the Feminist Art, from the 70's decade until nowadays, but that we do not yet find left behind or corrected by effective innovative proposals within the legitimized hegemonic spaces. In this scenario, other remnant debates of this gap between life and rule gain presence today under different signs. Like yet another of the challenges that this article unfolds, strategies and methodologies should be examined from a feminist perspective.