Estructuras transmatriarcales: Emancipación y empoderamiento feminista a través de la práctica artística

Abstract

Participatory and collaborative works of art emerge as micropolitical and emancipatory practices that make new social functions visible in the artistic practice. They are collaborative and transfeminist explorations that focus again the concerns of art on political construction, collective creation, networking, social cohesion, etc. Putting in value what is intangible such as communication, group dynamics, collaborative processes, or politics. Generating new forms of community production, new creative languages, new ways of artistic work dissemination as well as new aesthetic goals, linked to social and political work. In this article we analyze participatory and collaborative artistic practices as hybrid and interdisciplinary social and relational structures that promote the flexibilization and feminization of public space, political sphere, cultural creation and identity production. Establishing new symbolic and methodological universes that transform the social function of art and the artist in a postautonomus and postmedia context.