'Broken English' de Derek Jarman: El vídeo musical como vía de financiación y expresión

Ricardo Roncero Palomar

doi:10.1387/ausart.22666

Derek Jarman's 'Broken English' Music video as a funding and expression channel

PDF (Español) HTML (Redalyc) (Español) XML (Redalyc) (Español)

Published 2021-06-30

DOI https://doi.org/10.1387/ausart.22666

Ricardo Roncero Palomar

Universidad Rey Juan Carlos (URJC). Dpto. Comunicación Audiovisual y Sociología

Abstract

Music video is a perfect tool to express visually concepts or aesthetics that accompany the sound message. This article deal around Derek Jarman´s short film Broken English: Three songs by Marianne Faithfull (1979), which was created by the British director to illustrate three songs by the singer. The video, filmed before the birth of MTV, it brings together three very different ways of approaching a music video, such as the one dominated by the presence of the artist, the one linked to artistic practices and other linked with video protest. This paper shall identify their main visuals characteristics and what would its place be within the production of the British artist.

How to Cite

Roncero Palomar, Ricardo. 2021. “Derek Jarman’s ’Broken English’: Music Video As a Funding and Expression Channel”. AusArt 9 (1). https://doi.org/10.1387/ausart.22666.

Abstract 247 | PDF (Español) Downloads 200 HTML (Redalyc) (Español) Downloads 0 XML (Redalyc) (Español) Downloads 0

Keywords

JARMAN, DEREK (1942-1994), MUSIC VIDEO, EXPERIMENTAL CINEMA, MTV (TELEVISION CHAIN), SUPER 8, BROKEN ENGLISH (FILM)

References

Charlesworth, Michael. 2011. Derek Jarman. London: Reaktion Books

Frey, Martin. 2016. Derek Jarman: Moving picture of a painter. La Vergne TN: Ingram

Herzog, Amy. 2007. “Illustrating music: The impossible embodiments of the Jukebox film”. En Medium cool: Music videos from soundies to cellphones, Roger Beebe & Jason Middleton, eds. Durham NC: Duke University

Illescas Martínez, Jon-Emanuel. 2017. “El contenido del videoclip dominante como reproductor cultural e ideológico”. Revista Mediterránea de Comunicación 2 (8): 85-104. http://hdl.handle.net/10045/67613

Jarman, Derek. 1984. “Super 8, videos and home movies: Derek Jarman discusses ‘real’ film-making with Michael O’Pray”. Monthly Film Bulletin 51 (600)

Jenkins, Steve. 1981. “T.G.: Psychic rally in heaven”. Monthly Film Bulletin 48 (564)

Lukow, Gregory. 1991. “The antecedents of MTV: Soundies, scopitones and snaders, and the history of an ahistorical form”. En Art of music video: Ten years after, curators, Michael Nash & Kim Harlan Tassie, 6-8. Long Beach, CA: Long Beach Museum of Art

Mackay, James. 2014. Derek Jarman Super 8. London: Thames & Hudson

Moritz, William. 1995. “Musique de la couleur - Cinéma intégral”. En Poétique de la couleur: Une histoire du cinéma expérimental; Anthologie, sous la direction de Nicole Brenez & Miles McKane. Paris: Auditorium du Louvre; Aix-en-Provence : Institut de l'Image

O´Pray, Michael. 1996. Derek Jarman: Dreams of England. London: British Film Institute

Peak, Tony. 1999. Derek Jarman. London: Abacus

Phoenix, Robert. 1999. “In Bowie’s head: A conversation with the consummate dreamer”. GettingIt.com, 5 oct. http://gettingit.com/article/142

Rose, Cynthia. 1980. “Broken English: Three songs by Marianne Faithfull”. Monthly Film Bulletin 47 (552)

Shore, Michael. 1984. The Rolling Stone book of rock video. London: Sidgwick & Jackson

Sumi, Glenn. 2006. “Managing anger: Kenneth Anger speaks out on phones, artistic theft and Scientology”. Now Magazine, 12 oct. https://nowtoronto.com/movies/news-features/managing-anger

Issue

Vol. 9 No. 1 (2021): Urban sounds: Music, sound and society

Section

Articles