Precision 3D modelling in digitisation processes of built sculpture

##plugins.themes.bootstrap3.article.main##

##plugins.themes.bootstrap3.article.sidebar##

Published 2021-12-27
Manuel Drago Díaz Alemán

Abstract

In contemporary sculpture there are many works that are difficult to digitize in three dimensions using both active and passive procedures. These procedures pose difficulties when applied to constructed sculpture, made from fragments, with thin sheet materials or objects with many cavities and overlaps. Given the impossibility of obtaining optimal results with this type of work, it is necessary to use new strategies that allow obtaining a digital model. For this, it is proposed, exemplified in an object of study, the implementation of precision 3D modeling techniques. Based on the point cloud obtained through active or passive 3D digitization systems, a virtual model is generated using modeling techniques with nurbs surfaces. The result is a 3D model useful for digital processes of cutting, reconstruction, as well as for cataloging or disseminating the work. Opening the possibility of virtual analysis in conservation and restoration processes.

How to Cite

Díaz Alemán, Manuel Drago. 2021. “Precision 3D Modelling in Digitisation Processes of Built Sculpture”. AusArt 9 (2). https://doi.org/10.1387/ausart.23077.
Abstract 646 | HTML (Redalyc) (Español) Downloads 0 XML (Redalyc) (Español) Downloads 0 PDF (Español) Downloads 840

##plugins.themes.bootstrap3.article.details##

Keywords

3D DIGITIZATION, CONTEMPORARY SCULPTURE, PHOTOGRAMMETRY, CONSTRUCTION PROCEDURES, 3D MODELING

References
Althöfer, Heinz. 1981. “Historical and ethical principles of restoration”. In ICOM Committee for Conservation 7th Triennial Meeting: Ottawa, Canada 21-25 September. Paris: The International Council of Museums

Fuentes Porto, Alba, Elisa Díaz González, Manuel Drago Díaz Alemán & Esteban Manuel Amador García. 2021. “Proceso de registro y seguimiento de daños morfológicos en metal arqueológico mediante documentación 3D”. GE-Conservación 19: 309-19. https://doi.org/10.37558/gec.v19i1.1002

García Morales, Lino. 2019. Teoría de la conservación evolutiva: Conservación y restauración del arte de los nuevos medios. Norderstedt: Books on Demand

Guidi, Gabriele & Bernard D. Frischer. 2020. “3D digitization of cultural heritage”. In 3D imaging, analysis and applications, editors, Yonghuai Liu, Nick Pears, Paul L. Rosin & Patrik Huber. Cham, Switzerland: Springer. https://doi.org/10.1007/978-3-030-44070-1_13

Guidi, Gabriele, Sara Gonizzi Barsanti & Laura Loredana Micoli. 2014. “Image pre-processing for optimizing automated photogrammetry performances”. ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences II(5): 145-52. https://doi.org/10.5194/isprsannals-II-5-145-2014

Jiang, Ruinian, David V. Jáuregui & Kenneth R. White. 2008. “Close-range photogrammetry applications in bridge measurement: Literature review”. Measurement 41(8): 823-34. https://doi.org/10.1016/j.measurement.2007.12.005

Krauss, Rosalind. (1979) 1985. ”La escultura en el campo expandido”. En La posmodernidad, Jean Baudrillard et al.; selección y prólogo de Hal Foster; traducción, Jordi Fibla, 59-74. Barcelona: Kairós

Maderuelo Raso, Javier. 2012. Caminos de la escultura contemporánea. Salamanca: Universidad de Salamanca

Morita, María Mercedes & Gabriel Mario Bilmes. 2018. “Applications of low-cost 3D imaging techniques for the documentation of heritage objects”. Óptica Pura y Aplicada 1-11. https://doi.org/10.7149/OPA.51.2.50026

Salvador González, José María. 1991. Edgar Negret: De la máquina al mito. Monterrey: Edisigma

Santabárbara Morera, Carlota. 2016. “La conservación del arte contemporáneo ¿Un desafío para la teoría de la restauración crítica?”. En Conservando el pasado, proyectando el futuro: Tendencias en la restauración monumental en el siglo XXI [Preserving the past, projecting the future: Tendences in 21st Century monumental restoration], coord. por Ascensión Hernández Martínez, 141-56. Zaragoza: Institución Fernando el Católico. https://ifc.dpz.es/recursos/publicaciones/35/83/09santabarbara.pdf

Saorin Pérez, José Luis, Carlos Carbonell Carrera, Jorge de la Torre Cantero, Cecile Meier & Drago Diaz Alemán. 2017. “Three-dimensional interpretation of sculptural heritage with digital and tangible 3d printed replicas”. TOJET 16(4): 161-9. http://www.tojet.net/articles/v16i4/16415.pdf

Yin, Zhongwei. 2004. “Reverse engineering of a NURBS surface from digitized pointssubject to boundary conditions”. Computers & Graphics 28(2): 207-12. https://doi.org/10.1016/J.CAG.2003.12.007
Section
Articles