'CEL', conversations in Italics
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Published
2022-06-28
Eugènia Agustí Camí
Lali Barriere Figueroa
Cristina Pastó Aguilà
Abstract
`'CEL' (2022) is a three part conversation which is reflected in the layout of three curves that intertwine. It transitions between writing the code in programming language that generates the image, and manual writing. With the help of Vera Molnar and Mirtha Dermisache, it calls into question the page as a support, the typograpic container and the legibility of writing.
How to Cite
Agustí Camí, Eugènia, Lali Barriere Figueroa, and Cristina Pastó Aguilà. 2022. “’CEL’, Conversations in Italics”. AusArt 10 (1). https://doi.org/10.1387/ausart.23582.
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Keywords
curve, writing, programming, abstraction, page
References
Barthes, Roland. (1973) 2022. Variaciones sobre la escritura. Trad., Enrique Folch Fernández. Barcelona: Paidós
Barthes, Roland. 2004. “Fragment d’une lettre de Roland Barthes adressée à Mirtha Dermisache, le 28 mars 1971”. Cahier du Refuge 130. https://doi.org/10.18682/cdc.vi75.1024
Ingold, Tim. (2007) 2015. Líneas: Una breve historia. Traducción, Carlos García Simón. Barcelona: Gedisa
Nemours, Aurélie. 1996. “Histoires de blanc et noir: Hommage à Aurelie Nemours”. Exposition, 23 mai-19 août 1996, Musée de Grenoble; Serge Lemoine et al. Paris: Seuil
Place, Jean-Michel. 1984. “Regards sur mes images”. Revue d’Esthétique 7
Barthes, Roland. 2004. “Fragment d’une lettre de Roland Barthes adressée à Mirtha Dermisache, le 28 mars 1971”. Cahier du Refuge 130. https://doi.org/10.18682/cdc.vi75.1024
Ingold, Tim. (2007) 2015. Líneas: Una breve historia. Traducción, Carlos García Simón. Barcelona: Gedisa
Nemours, Aurélie. 1996. “Histoires de blanc et noir: Hommage à Aurelie Nemours”. Exposition, 23 mai-19 août 1996, Musée de Grenoble; Serge Lemoine et al. Paris: Seuil
Place, Jean-Michel. 1984. “Regards sur mes images”. Revue d’Esthétique 7
Section
Articles
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