The roar of Caliban Noise, culture and subversion in times of Prospero
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Published
2016-02-25
Jorge David García Castilla
Abstract
In this article, the roar of Caliban represents the noise that modernity has defined as incomprehensible. Speaking specifically of the musical field, we refer to sound practices that the dominant culture tries to exclude. In order to explore different aspects of capitalist domination and resistance processes, this text addresses three main areas in which noise practices become an act of subversion against hegemonic cultural values. The first of these axes is the market, the second is the body and the third is the desire. Transversely, we will explore the relationship between noise and uncontrolled processes of identity transformation.
How to Cite
García Castilla, Jorge David. 2016. “The Roar of Caliban: Noise, Culture and Subversion in Times of Prospero”. AusArt 3 (2). https://doi.org/10.1387/ausart.15968.
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Keywords
NOISE, SUBVERSION, CULTURAL TRANSFORMATION, EXPERIMENTAL ART, DECOLONIALISM
References
Attali, Jacques. (1977) 2011. Ruidos: Ensayo sobre la economía política de la música. Ed. al cuidado de Federíco Álvarez. México: Siglo XXI
Deleuze, Gilles & Félix Guattari. (1980) 2004. Mil mesetas: Capitalismo y esquizofrenia. Traducción de José Vázquez Pérez. Valencia: Pre-Textos
Hardt, Michael & Antonio Negri. 2011. Commonwealth: El proyecto de una revolución del común. Traducción de Raúl Sánchez Cedillo. Madrid: Akal
Hegarty, Paul. 2007. Noise/Music: A history. New York: Bloomsbury
Nancy, Jean-Luc. 2007. A la escucha. Trad., Horacio Pons. Buenos Aires: Amorrortu
Novak, David. 2013. Japanoise Music at the edge of circulation. Durham, NC: Duke University
Serres, Michel. 1982. The Parasite. Translated by Lawrence R. Schehr. Baltimore: John Hopkins University
Deleuze, Gilles & Félix Guattari. (1980) 2004. Mil mesetas: Capitalismo y esquizofrenia. Traducción de José Vázquez Pérez. Valencia: Pre-Textos
Hardt, Michael & Antonio Negri. 2011. Commonwealth: El proyecto de una revolución del común. Traducción de Raúl Sánchez Cedillo. Madrid: Akal
Hegarty, Paul. 2007. Noise/Music: A history. New York: Bloomsbury
Nancy, Jean-Luc. 2007. A la escucha. Trad., Horacio Pons. Buenos Aires: Amorrortu
Novak, David. 2013. Japanoise Music at the edge of circulation. Durham, NC: Duke University
Serres, Michel. 1982. The Parasite. Translated by Lawrence R. Schehr. Baltimore: John Hopkins University
Section
Articles
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