Llegada la bocanada 'Todo vale'

Abstract

Punk can be understood, in its most vital and expansive paradigm, as an ethical and discursive positioning of annoyance with respect to the world, the system and its heteronomy. Beyond the apogee that marked its musical context, one can notice the influence of its energy and vitalism in different artistic areas, infected, in such case, by the 'anti' spirit, and conceiving them as forms of expression applicable to diverse artistic contexts and being able to be attributed timelessly. The denial and desire for freedom and individuality, in opposition to dominant forms as the basis of the thought of what is categorized as punk, means an autonomy in its expressive paradigm, dispensing with rules and forms of legitimacy. These are 'disturbed', 'obviated', 'questioned', 'rewritten', in favor of that 'anti' proclamation, by means of aesthetic and constituent elements based on precariousness, temporary, reuse, urgency, eclectic, the unfinished ..., without attending to the technical conditions and thus assessing the download. A broad and extreme practical proposal that proposes other ways as innovation mechanisms.