The dance and its voice Experiences in current choreographic practice
##plugins.themes.bootstrap3.article.main##
##plugins.themes.bootstrap3.article.sidebar##
Published
2015-07-13
Ixiar Rozas Elizalde
https://orcid.org/0000-0001-6298-3573
Abstract
This essay takes as starting point the question posed by Gilles Deleuze —following Spinoza—, the well known «what can a body do?», in order to reformulate it into: what can the interweaving of voice, body, word and language do within dance? Through this question and researching the work by artists such us Vera Mantero, Idoia Zabaleta, Filipa Francisco and Irena Tomazin, the text explores the field of experience, as well as the meanings that arise from a dance that bursts into speaking.
How to Cite
Rozas Elizalde, Ixiar. 2015. “The Dance and Its Voice: Experiences in Current Choreographic Practice”. AusArt 3 (1). https://doi.org/10.1387/ausart.14394.
##plugins.themes.bootstrap3.article.details##
Keywords
VOICE, EXPERIENCE, COREOGRAPHY, PERFORMATIVITY, BIOPOLITICS
References
Agamben, Giorgio. 1978. Infanzia e historia. Torino: Einaudi
Agamben, Giorgio. 2007. Infancia e historia. Buenos Aires: Adriana Hidalgo
Barthes, Roland. 2009. Lo obvio y lo obtuso: Imágenes, gestos y voces. Barcelona: Paidos
Burt Ramsay. 2004. «Genealogy and dance history». Of the presence of the body. Andre Lepecki, ed. London: Routledge
Cavarero, Adriana. 2003. A piu voci: Filosofia della espresione vocale. Torino: Einaudi
De Peretti, Cristina. 1989. Jaques Derrida: Texto y deconstrucción. Barcelona: Anthropos
Dolar, Mladen. 2006. A voice and nothing more. Cambridge MA: MIT. https://doi.org/10.7551/mitpress/7137.001.0001
Esposito, Roberto. 2007. Terza persona: Politica della vita e filosofia dell'impersonale, Torino: Einaudi
Ferrando Colom, Bartomeu. 2012. Arte y cotidianeidad: Hacia la transformación de la vida en arte. Madrid: Ardora
Guattari, Félix y Suely Rolnik. 2006. Micropolítica: Cartografías del deseo. Madrid: Traficantes de Sueños
Kunst, Bojana. 2009. «The voice of the dancing body». Performing Arts Journal 51/52: 144-160
Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London: Routledge. https://doi.org/10.4324/9780203088104
Lepecki, Andre. 2006. Exhausting Dance. New York: Routledge. https://doi.org/10.4324/9780203012871
Pallasmaa, Juhani. 2006. Los ojos de la piel: La arquitectura y los sentidos, Barcelona: Gustavo Gili
Rozas Elizalde, Ixiar. 2012. Voic(e)scapes: Experiencias y potencias de la voz, el lenguaje y la tactilidad en la escena actual de la danza. Tesis Univ. del País Vasco
Virno, Paolo. 2003. Quando il verbo si fa carne: Linguaggio e natura umana. Milano: Bollati Boringhieri
Zournazi, Mary. 2009. «Briam Massumi in conversation with Mary Zournazi». En The Swedish Dance History: A collective choreography of 1000 pages organised by INPEX and MyChoreography.org in Stockholm on the 29th of April 2009 during the International Day of Dance. Stockholm: Inpex-MyChoreography.org
Zournazi, Mary. 2015. «Briam Massumi in conversation with Mary Zournazi». En Ejercicios de ocupación: Afectos, vida y trabajo. Quim Pujol e Ixiar Rozas, eds. Barcelona: Polígrafa
Agamben, Giorgio. 2007. Infancia e historia. Buenos Aires: Adriana Hidalgo
Barthes, Roland. 2009. Lo obvio y lo obtuso: Imágenes, gestos y voces. Barcelona: Paidos
Burt Ramsay. 2004. «Genealogy and dance history». Of the presence of the body. Andre Lepecki, ed. London: Routledge
Cavarero, Adriana. 2003. A piu voci: Filosofia della espresione vocale. Torino: Einaudi
De Peretti, Cristina. 1989. Jaques Derrida: Texto y deconstrucción. Barcelona: Anthropos
Dolar, Mladen. 2006. A voice and nothing more. Cambridge MA: MIT. https://doi.org/10.7551/mitpress/7137.001.0001
Esposito, Roberto. 2007. Terza persona: Politica della vita e filosofia dell'impersonale, Torino: Einaudi
Ferrando Colom, Bartomeu. 2012. Arte y cotidianeidad: Hacia la transformación de la vida en arte. Madrid: Ardora
Guattari, Félix y Suely Rolnik. 2006. Micropolítica: Cartografías del deseo. Madrid: Traficantes de Sueños
Kunst, Bojana. 2009. «The voice of the dancing body». Performing Arts Journal 51/52: 144-160
Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London: Routledge. https://doi.org/10.4324/9780203088104
Lepecki, Andre. 2006. Exhausting Dance. New York: Routledge. https://doi.org/10.4324/9780203012871
Pallasmaa, Juhani. 2006. Los ojos de la piel: La arquitectura y los sentidos, Barcelona: Gustavo Gili
Rozas Elizalde, Ixiar. 2012. Voic(e)scapes: Experiencias y potencias de la voz, el lenguaje y la tactilidad en la escena actual de la danza. Tesis Univ. del País Vasco
Virno, Paolo. 2003. Quando il verbo si fa carne: Linguaggio e natura umana. Milano: Bollati Boringhieri
Zournazi, Mary. 2009. «Briam Massumi in conversation with Mary Zournazi». En The Swedish Dance History: A collective choreography of 1000 pages organised by INPEX and MyChoreography.org in Stockholm on the 29th of April 2009 during the International Day of Dance. Stockholm: Inpex-MyChoreography.org
Zournazi, Mary. 2015. «Briam Massumi in conversation with Mary Zournazi». En Ejercicios de ocupación: Afectos, vida y trabajo. Quim Pujol e Ixiar Rozas, eds. Barcelona: Polígrafa
Section
Articles
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- for any purpose, even commercially.