State of siege, gesture of collecting A conversation with Rafael Tormo Cuenca
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Abstract
From the conversation with the valencian artist Rafael Tormo Cuenca comes a reflection on our relationship with the world at this time in which we interact through technological devices and it seems that our physical social environment has been abandoned. This communication begins from a curatorial project consisting in giving shape to ideas surrounding this hypothesis and links them to contemporary thought, with the central figure of Walter Benjamin seen from the perspective of Hito Steyerl and the artist himself. The act of collecting, the impact of technology and other forms of economy are analyzed here from the phenomenon of the great universal exhibitions as opposed to artistic practice itself.
How to Cite
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ARTISTIC PRACTICE, CRITICAL THINKING, UNIVERSAL EXHIBITIONS, CURATING, COLLECTING, TORMO, RAFAEL (1963-)
Benjamin, Walter. (1927-1940) 2010. Obras. Libro IV / vol. 1. Editado por Rolf Tiedemann & Hermann Schweppenhäuser, traducido por Jorge Navarro Pérez. Madrid: Abada
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Canogar, Daniel. 1992. Ciudades efímeras: Exposiciones universales,espectáculo y tecnología. Editado por Julio Ollero. Madrid: Imaginario
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García Canclini, Néstor. 1987. "Ni folklórico ni masivo: ¿Qué es lo popular?" Diálogos de la Comunicación 17: 6-11. http://www.infoamerica.org/documentos_pdf/garcia_canclini1.pdf
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Gioni, Massimiliano. 2013. "II Palazzo Enciclopedico [The Encyclopedic Palace]". En Il Palazzo Enciclopedico, Short Guide, curated by Chris Wiley. Venezia: Fondazione La Biennale
Steyerl, Hito. 2006. "Hito Steyerl: El lenguaje de las cosas". Traducido por Marcelo Expósito. Transversal- EIPCP Multilingual Webjournal 6. http://eipcp.net/transversal/0606/steyerl/es
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