Cine performativo: Una película como posible escritura expandida

Abstract

This paper deals with an approach to performative cinema as a possible expanded writing based on the study of the work: «Desbordamientos» by Esperanza Collado and «Umbráfono» by Enrique del Castillo. Performative cinema refers to a practice of experimental cinema that escapes any definition that stabilizes it to play in indeterminacy as a form, thus, the present study tries to investigate through the works «Desbordamientos» and «Umbramófono»as forms from which dialogue about the expanded practice experienced by both artists. With this, as a result of the study, it is proposed to open lines of research on performative cinema as a possible expanded writing from the displacement of writing detached from verbal language towards other creative formats.