Analysis of the coordination of arms and head in the 'flic-flac en tournant', from big pose to big pose

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Published 2015-07-13
África Hernández Castillo

Abstract

This article presents the final coordination of all body parts during the execution of the academic ballet step flic-flac in big poses. Taking into account the results drawn from my previous research, I can state that the coordination of the head movement for the execution of the flic-flac in small poses is also valid for the subsequent execution in big poses. Even though there are some variations in the coordination of the arms, the height of the active leg and the behavior of the head in particular moments.

How to Cite

Hernández Castillo, África. 2015. “Analysis of the Coordination of Arms and Head in the ’flic-Flac En tournant’, from Big Pose to Big Pose”. AusArt 3 (1). https://doi.org/10.1387/ausart.14760.
Abstract 887 | PDF (Español (España)) Downloads 678

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Keywords

FLIC-FLAC, SMALL POSES, BIG POSES, PORT DE BRAS, METHODOLOGY OF ACADEMIC DANCE

References
Hernández Castillo, África. 2014. La danza académica y su metodología, 4º y 5º curso: Nivel medio II, Análisis del movimiento en relación con la estructura musical. Valencia: Mahali

Kostrovitskaya, Vera & Alexei Pisarev. (1968) 1995. School of classical dance. Authoriced translation by John Barker. London: Dance Books

Tarasov, Nikolaï Ivanovitch. (1974) 1994. Klassischer Tanz: Die Schule des Tänzers. Berlin: Henschel

Vaganova, Agrippina Iakovlevna. (1934) 1945. Las bases de la danza clásica: Ciento veinte dibujos explicativos. Traducción directa del ruso por Miguel Ourvantzoff. Buenos Aires: Centurión

Zsuzsa, Lőrinczné Merényi. 1993. A klasszikus balett módszertana. Budapest: Nemzeti Tankönyvkiadó
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