Fear, disgust, and flies How harmless inhabitants of houses came to be feared

##plugins.themes.bootstrap3.article.main##

##plugins.themes.bootstrap3.article.sidebar##

Published 2026-01-28
Concepcion Cortes Zulueta

Abstract

In the nineteenth century, you could still find stories or poems with sensitivity and empathy towards houseflies. However, along the twentieth century and with ramifications in the twenty-first, these insects have stirred negative emotions such as disgust or fear as encouraged by films or stories. To a large extent, this change responds to a ruthless anti-fly campaign originated in the United States around the turn of the century that then spread globally. Through posters, pamphlets, books, tales, exhibitions, lectures, competitions or movies, flies went from being perceived as harmless but somewhat annoying inhabitants of homes to being portrayed as killers of families and communities. This article outlines the main episodes of this sought-after transformation of affects towards flies, also exploring their gender dimension, and underscores the need to renew the appreciation towards these and other insects and their role in ecosystems, now that their overall populations are threatened.

How to Cite

Cortes Zulueta, Concepcion. 2026. “Fear, Disgust, and Flies: How Harmless Inhabitants of Houses Came to Be Feared”. AusArt 14 (1). https://doi.org/10.1387/ausart.27871.
Abstract 0 | PDF (Español (España)) Downloads 0

##plugins.themes.bootstrap3.article.details##

Keywords

FLIES, FEAR, DISGUST, EMOTIONS, ANTI-FLY CAMPAIGNS

References
Almeida, Manuel Duarte de. 1874. Elegia pantheista a uma mosca morta. Oporto: Alcino Aranha & Cia

Carson, Rachel. 1962. Silent spring. Boston MA: Houghton Mifflin

Cortés Zulueta, Concepción. 2024. «¿Cómo ven las moscas? Un taller sobre los ojos compuestos de las moscas en el Museo de Verano». NaturalMente 41: 72-81. https://n9.cl/7bzu3a

Cortés Zulueta, Concepción. 2025a. «A horror multiplied by the eyes of every house fly: Compound misconceptions and prejudices on filmic insects». En Animality and horror cinema: Creaturely fear on film, ed. by Peter Sands, Mo O’Neill & Samantha Hind, 93-114. Cham, Switzerland: Palgrave Macmillan. https://doi.org/10.1007/978-3-031-87294-5_5

Cortés Zulueta, Concepción. 2025b. «Fly eyes and insect vision at the turn of the 20th century: From scientific curiosity to compound menace». En Human–bug Encounters in multispecies networks, ed. by Laura Hollsten, Otto Latva, Sanna Lillbroända-Annala, Suvi Rytty & Tuomas Räsänen, 69-89. Leiden: Brill. https://doi.org/10.1163/9789004715448_005

Edelstein, Sally. 2020. «Flies, the fear factor». Envisioningtheamericandream.com, Oct. 8. https://envisioningtheamericandream.com/2020/10/08/flies-the-fear-factor/

Ekman, Paul. 1992. «An argument for basic emotions». Cognition and Emotion 6(3-4): 169-200. https://doi.org/10.1080/02699939208411068

Gaycken, Oliver. 2015. Devices of curiosity: Early cinema and popular science. Oxford: Oxford University. https://doi.org/10.1093/acprof:oso/9780199860685.001.0001

Goulson, Dave. 2019. «The insect apocalypse, and why it matters». Current Biology 29(19): R967-R971. https://doi.org/10.1016/j.cub.2019.06.069

Hazlett, Maril. 2004. «‘Woman vs. man vs. bugs’: Gender and popular ecology in early reactions to ‘Silent spring’». Environmental History 9(4): 701-729. https://doi.org/10.2307/3986266

Langelaan, George. 1957. «The fly». [Horror short story] Playboy June: 16-18. https://n9.cl/tql55

Lockwood, Jeffrey. 2013. The Infested mind: Why humans fear, loathe, and love insects. Nueva York: Oxford University

Marsh, Bill. 2010. «Visual education in the United States and ‘The fly pest’ campaign of 1910». Historical Journal of Film, Radio and Television 30(1): 21-36. https://doi.org/10.1080/01439680903577235

Oliveira, Maria João Lello Ortigão de. 2002. «Aurélia de Sousa em contexto: A cultura artística no fim de século». Tesis Univ. de Lisboa

Riley, Richard L. et al. 1959. «Aerial dissemination of pulmonary tuberculosis: A two-year study of contagion in a tuberculosis ward». American Journal of Hygiene 70(2): 185-196. https://doi.org/10.1093/oxfordjournals.aje.a117542

Rogers, Naomi. 1989. «Germs with legs: Flies, disease, and the new public health». Bulletin of the History of Medicine 63(4): 599-617. https://n9.cl/5zd92m

Soppelsa, Peter & Amy S. Rodgers. 2019. «Origins of the flyswatter». Technology and Culture 60(3): 886-895. https://doi.org/10.1353/tech.2019.0077

Syrovy, Daniel. 2014. «Sharks, spiders, locusts, bats, and rats: Thoughts toward the morphology of creature features». En Quote, double quote: Aesthetics between high and popular culture, ed. by Paul Ferstl & Keyvan Sarkhosh, 121-134. Amsterdam: Rodop. https://doi.org/10.1163/9789401210447_008

Tilton, Theodore. 1865. The fly. New York: Sheldon & Co

Tsutsui, William M. 2007. «Looking straight at them! Understanding the big bug movies of the 1950s». Environmental History 12 (2): 237-253. https://doi.org/10.1093/envhis/12.2.237

Twain, Mark. (1910) 1962. Letters from the earth. Edited by Bernard DeVoto; with a preface by Henry Nash Smith. New York: Harper & Row

Filmografía citada

El acorazado Potemkin (1925). Sergéi M. Eisenstein. 77 min. Moscú: Mosfilm

Microcosmos: Le peuple de l’herbe (1996). 1 h. 20 min. Claude Nuridsany & Marie Pérennou. Levallois-Perret: Galatée Films

The fly (1958). Kurt Neumann. 94 min. Los Ángeles: Regal Twentieth Century Fox

The fly (1986). David Cronemberg. 92 min. Los Ángeles: Twentieth Century Fox

The fly pest. (1910). Frank Percy Smith. 6 min. London: Charles Urban Trading Company
Section
Articles

Similar Articles

You may also start an advanced similarity search for this article.