Double impulse From primary cultures to a versatile culture; Patterns, symbols and geometry in the floral fabrics of Saraguro; a case study
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Abstract
This research uses as its basis the study of popular, cultural and symbolic practices in the Saraguro community of Ecuador. This ancient valley is known for being a point of reference in ancestral and ritual practices, which historically were influenced by the first Inca settlers. For this reason, some local indigenous people from Saraguro identify themselves as being direct descendants of the Inca civilization. This study emphasizes a re-evaluation of ancestral aspects that serve as a means to interrelate various cultural practices (a synergy between traditional indigenous practices and contemporary culture). By analyzing the pre-established ideas and examining the ways in which certain cultural features can be connected as well as reviving old beliefs and systems, we are able to produce a new focus for this research paper. With this proposition in mind, we aim to focus our study on semiotic aspects that provide tools to better understand the geometric patterns that are available and also to appreciate from an academic perspective these concepts in ancient indigenous culture in Saraguro.
How to Cite
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ANDEAN COSMO-VISION, NATIVE INDIGENOUS, FLOWER DISPLAYS, SARAGURO (ECUADOR)
Estermann, Josef. 1998. Filosofía andina: Estudio intercultural de la sabiduría autóctona andina. Quito: Abya-Yala
González Suarez, Federico. 1890. Historia general de la República del Ecuador. Quito: Imprenta del Clero
Larrea Rivadeneira, Carlos Manuel. (1960) 1989. Federico González Suárez. Quito: Fondo Nacional de Cultura
Masson, Peter. 2007. “Locuciones y refranes como elementos de la construcción de la identidad étnico-cultural en el norte de Loja, Ecuador”. En Culturas en movimiento: Contribuciones a la transformación de identidades étnicas y culturales en América, Wiltrud Dresler, Bernd Fahmel & Karoline Noack, eds. Ciudad de México: UNAM
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