El rugido de Calibán: Ruido, cultura y subversión en tiempos de Próspero

Abstract

In this article, the roar of Caliban represents the noise that modernity has defined as incomprehensible. Speaking specifically of the musical field, we refer to sound practices that the dominant culture tries to exclude. In order to explore different aspects of capitalist domination and resistance processes, this text addresses three main areas in which noise practices become an act of subversion against hegemonic cultural values. The first of these axes is the market, the second is the body and the third is the desire. Transversely, we will explore the relationship between noise and uncontrolled processes of identity transformation.